Industry Profile: Dick McVey

— by Bob Grossweiner and Jane Cohen

Dick McVey is an established mover and groover in the Nashville music scene from musician, manager, producer, arranger, radio show host, journalist, studio owner, and founder/operator of Nashville's Musician's Referral Service.

Born and raised in the Appalachian Mountains near Beckley, WV, Dick was raised around country and gospel music, always tooling around with the guitar. Heavily influenced by The Beatles and other British groups of the 60’s, Dick’s desire to play their songs on guitar led him to take the instrument seriously. After his father showed him some chords, within a year, Dick had taught himself a number of pop songs and started his own band, The Rondeaus, which played area school functions and community events, quickly building the band into a regional favorite.

It was during these early years that Dick so loved performing that he handled all the affairs for the band: scheduling rehearsals, bookings, preparing publicity, acquiring financial backing, arranging transportation and equipment, and handling any problems that cropped up. These experiences prepared him for a career, not only as an entertainer and musician, but also as a businessman in the music business.

While handling several day jobs throughout his life, Dick always had a working band. He played lead guitar and sang in groups in the late 60’s, and switched to bass guitar in the early 70’s. In 1978, Dick and the members of his band Visions, a top 40 pop show band, decided to hang up their regular jobs and go on the road full time. The band became an immediate success on the road, “primarily due to tour versatility and showmanship,” says Dick. They traveled all over the U.S., and eventually, in 1981, landed a five-week residency in Nashville at the Holiday Inn on Briley Parkway.

While in Nashville, an old friend invited him to go backstage at the Grand Ole Opry. “I was thrilled,” he reminisces. “It was then and there that I made the decision to make Nashville my permanent home and establish myself as a musician and a music business executive in Music City USA.”

Always goal-oriented people, Dick’s first and foremost goal was to seek a job playing with a major artist and get a spot on the Grand Ole Opry. “My plan was to write letters to everyone in Nashville from his home area in West Virginia," he recalls. "Those people included Grand Ole Opry star Little Jimmy Dickens. My letter reached Dickens the very week Dickens fired his bass player, and I was hired. My first goal in Nashville had been achieved and much faster than I ever expected.”

From 1982-2003, Dick has played the Grand Ole Opry at different times with different stars, including the 1988 Grand Ole Opry Birthday Celebration on national television with Tom T. Hall.

Since then, Dick has worked as bassist, road manager and front man for Dickens, Leroy Van Dyke, Jean Shepard, Nat Stuckey, Stonewall Jackson, Tom T. Hall and Holly Dunn where he emceed the shows and sang the opening songs. He also spent several months emceeing and opening for Merle Haggard in 1983 and Jerry Lee Lewis in 1983-84.

In 1986, Dick founded the Musician's Referral Service in Nashville, with the goal of helping Nashville musicians find work. The service has been used by such artists and shows as Randy Travis, Alan Jackson, Chely Wright, David Lee Murphy, Holly Dunn, Tracy Lawrence, George Jones, Billy Dean, Tanya Tucker, Opryland, Disney World, Euro-Disney and several Branson and Myrtle Beach Theaters.

“It's a safe estimate to say I've placed over 10,000 musicians in jobs over the past 20 years,” says Dick.

In 1988, Dick founded D & T Records and produced 16 consecutive national chart records in a row. Several records reached the #1 spot on the independent chart and one song titled "One Kiss" by Teresa Kennedy hit # 52 on the national charts. “Quite a feat for a small label,” says Dick with pride. “That song was a pick hit in Billboard, three others were pick hits in Cash Box Magazine, 16 were Top 20 on the national independent charts with 14 reaching the Top 10.”

In 1989, Dick expanded his services to include publicity and started handling publicity and promotion work for the legendary George Jones. As a result of his efforts, Jones was featured on the cover of Music City News the very next month with a two-page article inside; Dick received a gold album from George for his publicity work. He continued to coordinate special projects for Jones, including a showcase for his guitarist DeWayne Phillips, where eight major labels were in attendance. Dick and Jones co-produced the recording session for DeWayne. The tape was submitted to the major record labels, and while negotiations looked fruitful, the deal never finalized. Every one of Dick’s publicity clients have been publicized in one form or another in fan and trade magazines, including Music City News and Country Weekly. On display in Dick's studio are gold and platinum record awards from Vince Gill, Tracy Lawrence and John Berry for his publicity contributions to their careers. In August 1998, Dick was hired to handle publicity and promotion for The Bellamy Brothers and their annual Snake Rattle & Roll Jam, which was held near their home town in San Antonio, Fla. His company, All Star Publicity, was named “Public Relations Firm Of The Year” for 1998 at the Golden Music Awards held in Nashville.

Progressing into the recording business in 1993, Dick has had his own recording studios ever since. Three years later he realized a lifelong dream by acquiring the 32-track digital, master-quality Moonlight Recording Studio in the heart of Music Row.

“The studio was installed to record and work with singers in a facility that was both comfortable and affordable,” notes Dick. “With studio costs rising, it gave acts the opportunity of getting first-hand recording studio experience without the added pressure of paying high hourly rates. Dick also recorded master quality band albums that were used by bands to sell from the stage and to present to radio for airplay and award-winning songwriter demos that were used to pitch to major artists for their consideration in his studios. Since 1996, Hal Ketchum, Mark Collie, Danny Shirley (Confederate Railroad), Lacy J. Dalton, Helen Darling, Holly Dunn and Judy Rodman have recorded in his studio that also selected to mix a special acoustic project on Trisha Yearwood that was originally recorded in Australia.

His recording efforts did not go unnoticed, and in June 1993, Dick was selected Independent Producer of the Year by Tracker Magazine in Nashville, based on a poll the magazine took of country music radio disc jockeys. He was nominated for the award again in 1998.

To his already growing list of credentials, in July 1993, Dick accepted the position as bureau chief for the Nashville office of Performance Magazine, an international trade magazine that had offices in New York, Los Angeles, London, Tampa, Fla., and Fort Worth, Texas, where it was based. He was promoted to senior editor in April 1997, which afforded him the luxury of being invited to every major music function in Nashville and the ability to rub elbows with decision-makers in every facet of the music industry, including the major record labels. Having the opportunity to talk with those executives and discussing the business, Dick gained an edge in knowing what the major labels were looking for with regard to new acts, and those relationships remain strong to this day.

Still actively involved in producing, Dick produced an album for Cissie Lynn, daughter of Loretta Lynn and sister to The Lynns, in 1994. Early in the project, Loretta Lynn heard Dick's production on the first three songs, liked what she heard and agreed to sing a duet with Cissie Lynn on the album under Dick's direction. “It was the first time Loretta had recorded with any of her children in the studio, and is one of the highlights of my career as a producer,” Dick says. “The album was done primarily for Cissie to sell on the road and was never heavily promoted via radio on a national level."

That same year, Dick was selected as one of "Music Row's Decision Makers" by Music Row magazine, and was included in the 1994 edition of "In Charge - Music Row's Decision Makers." In June 1995, Dick received an award for producing and arranging the first place song in the 9th Annual St. Louis Music Contest. Another song he produced and arranged placed in the top 5 of the same competition. In 1996, Dick produced and arranged an album of country songs for children titled “Country Kiddie Boogie,” which was picked up by Sony Music.

His expertise in the country music industry has earned him recognition on TNN as a guest on “Today’s Country” with Crook & Chase, interviewed along with country music giants Alan Jackson, Garth Brooks, Tracy Lawrence and Sawyer Brown’s Mark Miller. He also manned the mics for his own weekly radio show, January-September 1999, on one of his hometown radio stations, WPMW-FM 92.7 in Mullens, WV. The show covered virtually all of Southern West Virginia. Dick reported Nashville news and had interviews with special guests Trace Adkins, Charley Pride and Little Jimmy Dickens.

In late 1999, Dick decided to construct a 32-track recording studio in his home and move his entire operation from Music Row. "It's a trend started in the mid-90s by a number of Music Row executives who discovered they could be more productive working from home offices without sacrificing the quality of service to their clients,” Dick explains. “The two hours they would spend commuting could be converted into office time and the move significantly cut their operating costs. Also, with increasing crime and traffic problems in Nashville, I felt a home studio would allow me more time to devote to my family and my music and less wear and tear on my vehicle and body.”

In 2000, Dick's love of playing music and performing on stage was satisfied as he was named music director, bandleader and bass guitarist with the Music City Showband which backs a touring package called Legend's Fest. Dick performed with a host of country legends like Jack Greene, Little Jimmy Dickens, Stonewall Jackson, Jeanne Pruett, Jeannie Seely, Hank Thompson, Freddie Hart, David Frizzell, Bobby Bare and others.

As if musician, producer, arranger, publicist, radio show host, journalist, studio owner, and operator of a musician’s referral service was not enough, in 2001 Dick added artist manager to his growing list of music related occupations and signed Travis LeDoyt, touted as the "world's best young Elvis by nearly everyone who has seen him,” says Dick. LeDoyt is currently working the casino, festival, fair, cruise ship and corporate event circuit, “where he is receiving rave reviews and standing ovations nightly,” Dick informs.

But always returning to his musician roots, Dick became Holly Dunn’s bassist in July 2002, and played live dates and the Grand Ole Opry with her until her retirement on Nov. 1, 2003.

Keeping busy with recording and mixing, Dick recorded and mixed audio in October 2002 and February 2003, for the syndicated television series "Nashville Country Connection" currently being shown in syndication across the U.S. That spring, he recorded, mixed and mastered Holly Dunn's new album, "Full Circle," containing 10 gospel songs. In 2005 he moved his residence and the studio to its present location in Goodlettsville, TN where he is currently working with state-of-the-art hard disc recording and digital computer editing technology .

Since 2003, Dick has focused most of his energy on LeDoyt and today wears many hats in LeDoyt's career including agent, manager, publicist, co-producer and bass player. "Since Travis is usually only out from Thursday-Sunday, it offers me the opportunity to see first hand what's going on with the live aspect of his career and to deal with the problems that arise on the road and maintain a presence in the office during the rest of the week," he says.

Dick is still as driven as ever and continues to make contributions to Nashville's music scene. He is an occasional contributor to Tour Guide magazine, an industry trade publication dealing with tour production, and continues to work on career development and publicity for promising unsigned acts. He has also recorded and mixed live events for CJM Productions in Nashville, which sells the shows to Great American Country (GAC) and the Gospel Music Channel.

And Dick's offspring seems to be following in his footsteps: his son, Richard McVey II, is the entertainment editor for American Profile magazine that is delivered in many Sunday newspapers and has a readership of nearly 7 million weekly. He was formerly managing editor at Music Row magazine and Music City News.

Experience & Advice
My mouth has gotten me in more trouble than anything so I've tried to control my mouth and play the game as hard as it is to do sometimes.

How did your Musician's Referral Service start?
I started the Musician's Referral Service in Nashville in 1986, and it has been an effective tool for the working musician since that time. It's a safe estimate to say I've placed over 10,000 musicians in jobs over the past 20 years.

Since the number of musicians in Nashville greatly outweighs the number of jobs, I found the only way to help the musicians who signed up with me was to place their information of the hands of the people doing the hiring. In the beginning we would put out a list each month of musicians who were available for work and mailed and faxed it to every agent, manager, nightclub, theater, record label, etc - basically if I thought if someone might hire a musician, I got a copy of the list to them. Over the years and with the advent of the Internet, the printed list has been replaced with my website at ( and most everyone in the music industry knows that the listing exists there. We've had great success especially in the late 80’s and early 90’s when the country music boom hit, but the live market in country music started to decline in 1995 and has continued to do so to this day. Any business is only as good as the market they serve so the past 12 years haven't has been as lucrative as the first 10, but the referral s ervice still generates jobs for working musicians and as long as that's the case I will continue to operate it.

What does the service cost?
The annual fee of $125 covers all services for a full year. If you live in Tennessee, there's a one-time application fee of $ 20 plus a $ 15 monthly fee. Total for the first month is $35 and then $15 a month or less than 50 cents per day. If you live outside Tennessee, there's a one-time application fee of $30 plus a $15 monthly fee. Total for the first month is $45 and then $15 per month, less than 50 cents per day.

Why does it cost more outside of Tenneessee?
Originally it was to help cover the cost of me making long distance calls or sending faxes to those musicians, but it also helped eliminate competition for the musicians who had made the sacrifice to move to Nashville.

What is the health of the Nashville music industry as compared to five years ago?
As a person who has been around the industry here in Nashville for 25 years now, I've been able to watch country and gospel music build their markets to unbelievable heights. Country music surged on the coattails of Garth Brooks in the late 80’s and early 90’s, but it seems a lot of the people in power who had a vision for new ideas and concepts in the market lost that vision when they over saturated the market with look a-likes and sound a-likes. By the mid 90’s country music started its decline. The country industry took on a more hip theme when MTV bought CMT, and the market all but abandoned their older, more traditional demographic for a younger, more contemporary one. The music changed from a more traditional country sound to more of a 60’s and 70’ s rock sound. As far as country music, it seems there are a handful of acts that are doing well, and everyone else is treading water hoping for another up trend in the market that will incorporate what they do. Gospel music found a home in Nashville and the upsurge in interest in Christianity around the millennium seemed to lift gospel and contemporary Christian music to new heights.

Is Nashville still insulated from its New York and Los Angeles counterparts?
There's a myth about Nashville being segregated from NY and LA. It's true that for a long time Nashville was considered a necessary evil by the major labels. Nashville sales were modest and people in power in Nashville were patronized by their bosses in NY and LA. That all changed in the 80’s when country music started selling records equal to or greater than the pop and rock markets. Nashville finally got the respect of their peers in NY and LA. NY and LA based booking agents and managers showed up in Nashville and opened offices, like CAA and Monterey. NY and LA songwriters and artists started making regular visits to Nashville to collaborate with the Nashville writers, musicians and producers and some have even established working residences here.

How active is the Nashville club scene as compared to a few years ago?
It's very active and contrary to the way most people think there's a thriving rock market in Nashville. No matter what you like musically, you can find it somewhere in Nashville. From blues and jazz to grunge and rap and some things as obscure as Cajun music can be found here. There are also a lot of songwriter haunts like world famous The Bluebird Cafe that attracts songwriters from all over the world and all genres to Nashville.

What is your strategy for LeDoyt?
Travis is primarily a casino act, but he has been successful at performing arts centers, fairs, festivals and cruise ships. The plan for Travis is a gradual move from tribute artist to his original material. Unlike a lot of Elvis tribute acts, Travis is a great talent in his own right. He's an accomplished pianist and writes wonderful melodies and lyrics. We're currently in the studio working on these original songs that are similar to what John Lennon and Paul McCartney might be writing if they were able to get together today.

First concert attended
I grew up in Beckely, WV, and our local armory hosted many great shows. The first shows I went to see were Dick Clark's Caravan of Stars in 1964 and 1965. They were package shows and featured acts like Tom Jones, Diana Ross and The Supremes, B. J. Thomas, Billy Joe Royal and probably 10 more acts. Nearly every act on the show had a hit record out at the time, and it was a wonderful opportunity for a country boy like me to get his first taste of show business.

First concert worked and year
I started playing guitar in 1965 at the age of 15, in a band called The Rondeaus, and that's when I got my first taste of the music business. I booked all our shows, handled the problems of transportation since only one of us had a driver's license, took care of the internal problems with the band and the problems with the buyers, did all the publicity and promotion work and for the next five years. I got a good taste of the business side of the music business.

First industry job
Our band got busy, and I was having to turn down dates, so I decided to start booking some other bands when we couldn't do a job. By 1971, at age 22, I was booking 14 local acts. My first experience working a big concert was as a roadie for the Sound Connection sound company working a B. B. King concert in 1971 near Charleston, WV.

Career highlights
Getting to play the Grand Ole Opry ,and I was able to do that off and on from 1982-2004 working with different acts including several country Hall Of Famers. I was fortunate enough to have worked the Ryman Auditorium and the new Grand Ole Opry house. In 1982-83, I had a big year as a frontman/bass player with Little Jimmy Dickens, Nat Stuckey and RCA recording artist Tommy St. John. I opened a number of shows for Merle Haggard and Jerry Lee Lewis. In 1989, I got the job as publicist for the great George Jones and worked three years with him. In 2006 I was asked to play bass for a rock legends show sponsored by a radio station in Jackson, Tenn., and was thrilled to play behind some of my all-time heroes from the 60’s and 70’s. I got to perform hits with: Ace Cannon - had the sax hit "Tuff"; Buzz Cason - writer of "Everlasting Love"; Sonny Geraci - lead singer with The Outsiders--"Time Won't Let Me" /Climax--"Precious and Few" / American Bree--"Bend Me Shape Me"; Andy Kim - several hits including "Rock Me Gently"; Dickie Lee - several hits including "Patches"; Carl Mann - Sun Recording Artist sang the hit "Mona Lisa"; Gary Miles - "Wish For A Star"; Billy Joe Royal - "Down In The Boondocks"; Terry Sylvester - lead singer with the Hollies--"Long Cool Woman"; Gordon Waller of Peter & Gordon--"World Without Love"; Bucky Wilkins - lead singer with Ronny & The Daytona--"Little GTO"; and Al Wilson - several hits including "Show & Tell."

Career disappointment
In the mid 90's I was managing a duo using the stage name "Allen and Austin" and co-partnered a deal with legendary manager Dale Morris to attempt to get them a record deal. We had several face to face meetings including one with Randy Goodman, the president at Lyric Street Records, who all but told us he would sign the act. It didn't happen, and it was a great disappointment to all of us. One of the members, Ross Horne, moved home to Texas and is working locally there. The other member, Mike Lusk, has been successful as a featured vocalist on the Billy Graham Crusades, a member of the vocal band "4 Runner," a demo singer, and as a background singer for Loretta Lynn.

Greatest challenge
Getting recognition for acts which are talented and truly deserve the opportunity to allow the public to see and hear them.

Best business decision
Making the move to Nashville in 1982. I was playing in a band that was working top 40 lounges, and one night I realized I was approaching 30 years of age and hadn't accomplished my goals. Having grown up in West Virginia I had a good knowledge of country music, and country music seemed to offer longevity as a musician. I also felt I could be successful as a business person in Nashville

Best advice you received
I worked with country singer Leroy Van Dyke who told me the secret to success was to "find something you love to do and then get good enough at it that people will pay you to do it."

Most memorable industry experience
Working for Performance magazine in the late 90’s offered so many opportunities for me to meet some of my industry heroes that work behind the scenes. I really enjoyed interviews and time spent with people like Rick Shipp and Paul Moore--William Morris Agency; Ron Baird, John Huie, Rod Essig, and Stan Barnette--CAA; James Yelich and Steve Dahl--Monterrey Artists; Tony Conway--Buddy Lee Attractions; Bobby Roberts-- Bobby Roberts Agency; Dale Morris--manager for Kenny Chesney and Alabama; and Doc McGhee--manager for KISS and on and on.

What friends would be surprised to learn about you
I've a degree in Mortuary Science and have embalmed well over 1,000 people.

Industry pet peeve
A lot of industry decision makers aren't giving talent a break. There are a lot of talented people who will never be seen or heard as a result.

If I wasn't doing this, I would be...
...the most unhappy person in the world or as Nigel from Spinal Tap said, "I could be in some sort of sales - perhaps shoes."

Industry mentor
I got my best advice from the artists I worked with on the road. They were a wealth of information since they had all seen the ups and downs of the business and made mistakes that they related to me. If I'd to pick one person who influenced me and taught me a lot about the game, it would be Dale Morris who guided the group Alabama through a 20+ year successful run and is now doing the same for Kenny Chesney. I didn't spend a lot of time with him, but when we were one-on-one, I can't tell you all the things he told me that made real sense - not just the typical industry BS.

Dick can be reached at: 615-264-3637; e-mail:


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Charles Driebe, Blind Ambition Management Ltd. 09/22/06
Jeremy Driesen, Ray Bloch Productions 09/07/01
Michael Drumm, Music Link Productions 07/18/08
Angie Dunn, Lucky Artist Booking 10/13/06
Jay Durgan, MEDIAmobz 11/09/11
Erik Dyce, City and County of Denver's Division of Theatres & Arenas 08/02/02
Erik Dyce, City and County of Denver’s Division of Theatres and Arenas 08/23/10
Paolo d’Alessandro, International Solutions 06/25/14
Ros Earls, 140dB Management 02/19/14
Art Edelstein, Festival Productions 12/01/02
Bruce Eisenberg, Audio Analysts 08/31/01
Martin Elbourne, The Glastonbury Festival 12/18/09
Michael Elder, Red Entertainment 03/17/06
Tod Elmore, Sixthman 11/24/06
Paul Emery, Clear Channel Entertainment 11/19/04
Arty Erk, Citrin Cooperman 04/27/16
Joe Escalante, Kung Fu Records 07/08/05
Colin Escott, Music Historian/Journalist 07/18/11
Ritch Esra, The Music Business Registry 09/27/02
Ritch Esra, The Music Business Registry 04/24/12
Mike Esterman, Esterman Entertainment 09/01/06
Jeff Eyrich, BePop Records 11/25/05
Bob Ezrin, Bigger Picture Group 05/24/09
Lisa Fancher, Frontier Records 08/09/10
Rick Farman, Superfly Productions 10/15/04
Ray Farrell, eMusic 06/09/06
Sam Feldman, S.L. Feldman & Associates 10/25/02
Bob Feldman, Red House Records 11/24/02
Charlie Feldman, BMI 08/26/05
Paul Fenn, Asgard Promotions 11/22/09
Debra "Fergy" Ferguson, TourDesign 08/01/03
Pete Fisher, Grand Ole Opry 09/11/09
David Fishof, David Fishof Presents 01/08/01
David Fishof, Rock 'N Roll Fantasy 10/05/08
David Fishof, Rock ’n’ Roll Fantasy Camp 02/28/12
Mike Flanagin, New England Country Music Festival 09/12/08
Joel Flatow, RIAA 12/13/11
Jim Fleming, Fleming Artists 03/20/10
Joe Fletcher, Joe Fletcher Presents 01/12/06
Jeff Fluhr, StubHub 10/06/06
Nancy Fly, The Nancy Fly Agency 04/02/04
Arthur Fogel, Live Nation 08/09/09
Martin Folkman, Independent Music Awards & Music Resource Group 08/11/06
Belle Forino, Fantasma Tours 03/18/05
Fletcher Foster, Universal Records South 07/31/09
Sam Foxman, Contemporary Productions 01/06/06
Todd Frank, 4Star Entertainment, LLC 01/24/03
Bob Frank, Koch Entertainment 01/09/09
Larry Frank, Frank Productions 01/17/11
Mike Fraser, Record Producer/Engineer 10/11/08
Carl Freed, Metropolitan Entertainment 06/22/01
Elizabeth Freund, Beautiful Day Media & Management 01/26/07
Harlan Frey, Roadrunner Records 07/11/03
Adam Friedman, Nederlander Concerts 06/22/07
Ted Gardner, Larrikin Management 04/25/03
Daniel Gélinas, Festival d’été de Québec 05/23/13
Marci Geller, Sonic Underground 08/15/08
Chris Gero, Yamaha Entertainment Group 10/26/16
Steve Gerstman, SGS 07/19/02
Sandra Gibson, The Association of Performing Arts Presenters 01/09/04
Sandra L. Gibson, Association of Performing Arts Presenters 01/16/09
Steve Gietka, Trump Properties 07/30/01
Steve Gietka, SMG Entertainment 03/19/14
Darren Gilmore, Watchdog Management 03/17/16
Daniel Glass, Glassnote Entertainment Group 10/16/14
Jake Gold, The Management Trust 04/13/01
Neil Goldberg, Cirque Productions 09/07/07
Harris Goldberg, Concert Ideas 06/27/11
Neil Goldberg, Cirque Productions 04/16/14
Martin Goldschmidt, Cooking Vinyl Group 09/29/16
Harvey Goldsmith, Harvey Goldsmith Productions 06/28/10
Michael Goldstein, RockPoP Gallery 11/09/07
Seth Goldstein, 09/20/11
Anna Paula Goncalves, CEO Global Brand Appeal 08/20/14
Arnie Goodman, Blue Storm Music 11/15/02
Wesley Goodman, Red Entertainment 09/16/05
Richard Goodstone, Superfly Productions 01/27/06
Christie Goodwin, Photographer 03/18/15
Rob Gordon, What Are Records? LTD 02/01/02
Steve Gordon, Entertainment Attorney 08/06/04
Yoav Goren, Immediate Music & Imperativa Records 06/10/14
Mike Gormley, L.A. Personal Development 11/10/06
Jonathan Gosselin, Gosselin Marketing & Promotions 07/02/04
Richard Gottehrer, The Orchard 04/10/09
Sean Goulding, The Agency Group London 09/12/12
Jerimaya Grabher, RPM Direct 09/26/03
Mary Granata, The Granata Agency 09/06/10
Kelly Graves, Providence Performing Arts Center/Professional Facilities Management 01/20/02
Stan Green, Stanley A. Green Lighting and Productions 12/12/03
Mark Green, Celebrity Talent Agency Inc. / Bergen Performing Arts Center 08/12/05
Jeffrey Green, Americana Music Association 03/10/06
Paul Green, The School of Rock 07/06/08
Benjy Grinberg, Rostrum Records 12/06/11
Brent Grulke, SXSW 03/06/09
Michael Gudinski, The Mushroom Group 10/29/15
Phil Guiliano, CIE USA Entertainment Inc. & OCESA PRESENTS Inc. 03/25/05
Steve Gumble, SBG Productions 06/16/06
Greg Hagglund, Vivelo! 05/07/04
Rodney Hall, FAME Music Group 11/06/09
Rob Hallett, Robomagic 02/05/15
Craig Hankenson, Producers, Inc 02/23/06
Kerry Hansen, Wynonna Incorporated 10/03/03
Eric Hanson, Ted Kurland Associates 12/20/02
Eric Hanson, Tree Lawn Artists 03/23/07
Rusty Harmon, MTM Music Management 12/06/07
Ali Harnell, Clear Channel Entertainment Nashville 08/15/03
Bob Harris, 02/06/09
Evan Harrison, Huka Entertainment 12/08/16
David Hart, The Agency Group 02/20/04
Laura Hassler, Musicians without Borders 12/02/15
Abe Hathot, Musician, composer, and music producer. 12/21/16
Steve Hecht, Piedmont Talent 08/29/12
Travis Hellyer, Mezzanine 09/02/05
Janie Hendrix, Experience Hendrix 02/01/10
Nona Hendryx, Rhythmbank Entertainment 06/02/06
Dan Herrington, Dualtone Records 07/25/03
Sara Hickman, Sleeveless/Stingray 06/30/06
Dan Hirsch, On Board Entertainment 04/04/03
Nick Hobbs, Charmenko 12/14/01
Carel Hoffman, Hilltop Live/Oppikoppi Productions 11/07/12
Ian Hogarth, Songkick 08/09/11
Gene Hollister, Rose Presents 04/08/01
Rusty Hooker, Rock Steady Management Agency 02/16/01
Jake Hooker, Hook Entertainment 05/10/02
Martin Hopewell, Primary Talent International 04/19/02
Tom Hoppa, TKO Booking Agency 09/29/06
Bobbie Horowitz, Times Square Group 01/04/02
Barney Hoskyns, Rock's Backpages 11/01/11
Bruce Houghton, Skyline Music 10/27/00
Bruce Houghton, Skyline Music 01/22/14
Andi Howard, Peak Records and Andi Howard Entertainment 09/02/03
Barbara Hubbard, ACTS 09/12/03
Laurent Hubert, BMG US 11/12/15
Seth Hurwitz, I.M.P. 04/20/09
Ariel Hyatt, Author, and founder of Cyber PR 11/23/16
Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Andrea Johnson, ICM Partners 11/02/17
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Justin Kalifowitz, Downtown Publishing 04/20/17
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Steve Kane, Warner Music Canada 02/09/17
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Harvey Kubernik, Author/historian/music journalist 08/20/15
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Emily Lazar, The Lodge 10/15/15
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Elliot Lefko, Goldenvoice 09/21/17
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Randy Lennox, Universal Music Canada 06/24/15
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Adam Lewis, Planetary Group 01/20/16
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Jim Lidestri, Border City Media 09/03/15
Larry Lieberman, 4EverWild 03/28/03
Eric Lilavois, Crown City Studios, and London Bridge Studio 12/10/14
Miriam Linna, Norton Records 05/18/17
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
Katherine McVicker, Music Works International 01/08/15
John Meglen, Concerts West/AEG Live 02/21/13
Mark Meharry, Music Glue 05/28/15
Jorge Mejia, Sony/ATV Music Publishing 09/17/15
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Marty Monson, Barbershop Harmony Society 07/07/16
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Kevin Morrow, Steel Wool Entertainment 01/25/17
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Natalia Nastaskin, United Talent Agency 04/13/16
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Fabricio Nobre, A Construtora Música e Cultura 05/04/17
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Graham Parker, WQXR-FM 11/26/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Donald S. Passman, Gang, Tyre, Ramer & Brown 01/06/16
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Dave Pichilingi, Sound City 03/30/16
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Jack Randall, The Kurland Agency 03/08/17
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Paul Reed, Association of Independent Festivals (AIF) 06/14/17
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Jack Ross, APA Canada 09/07/17
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Jacqueline Saturn, Harvest Records 01/21/15
Tamara Saviano, American Roots Publishing 07/22/05
Tamara Saviano, Author, journalist, and producer 08/18/16
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Jonathan Shank, Red Light Management 12/13/17
Peter Shapiro, Ideal Entertainment 04/16/04
Peter Shapiro, Dayglo Ventures/Brooklyn Bowl 11/15/17
Seth Sheck, Access Pass & Design 01/03/03
Seth Sheck, ACCESS Event Solutions 06/22/16
Seth Shomes, The Agency Group 11/12/14
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Garrison Snell, Gyrosity Projects 02/23/17
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Nikki Solgot, Circle Talent Agency 02/18/15
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Deb Suckling, SUGARRUSH Music 07/27/17
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Mandar Thakur, Times Music 08/06/15
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
Adam Tobey, Concert Ideas 08/24/17
Rob Tonkin, Marketing Factory 12/17/15
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Marsha Vlasic, Artist Group International 05/31/17
Mat Vlasic, Bravado 06/28/17
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Kirt Webster, Webster PR 02/03/16
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Adam White, Author 09/14/16
Lisa White, Pearl Street Warehouse 10/04/17
Adam Wilkes, AEG Live Asia 10/13/16
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Keith Wortman, Blackbird Presents 03/22/17
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Kevin 'Chief' Zaruk, Chief Music Management 06/10/15
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Jason Zink, Emporium Presents 10/19/17
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06


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