Industry Profile: Kirt Webster

— By Larry LeBlanc (CelebrityAccess)

This week In the Hot Seat with Larry LeBlanc: Kirt Webster, president/CEO, Webster Public Relations.

Kirt Webster could go head-to-head with any entertainment publicist in the world.

His rapport with his clients—many of whom have been with his Nashville-based public relations firm for over a decade, and with media gatekeepers--is striking

Though the 41-year-old does his most effective work behind the scenes, and it is his strategic acumen and passion for country music that impresses his clients, and his media contacts, Webster harks back to the days when press agents brandished the verbal and protective skills of marital matchmakers.

Still Webster has helped lead Nashville’s public relations sector toward a more national direction. In the mid-90s after he arrived in Music City from Arizona, he realized how heritage or legendary artists, lacking radio support for their new recordings, remained effective as marketing vehicles.

As a result, Webster and his team of 10 work with an impressively large and diverse roster that includes such veteran acts as Dolly Parton, Hank Williams Jr., Kenny Rogers, Big & Rich, Kid Rock, Janie Fricke, the Oak Ridge Boys, Gene Watson, Don Williams, Brenda Lee, Crystal Gayle, the Nitty Gritty Dirt Band, Lynyrd Skynyrd, Sam Moore, Kenny G., and KC and The Sunshine Band; and such emerging acts as Callie Twisselman, Curtis Braly, Blackberry Smoke, Blackjack Billy, and LOCASH.

Webster Public Relations also has a sizeable corporate clientele list that includes: The Country Music Cruise, Soul Train Cruise, Flower Power Cruise, Tree Town Music Festival, Muskogee Music Festival, Wild West Comedy Festival, Bear Family Records, and APA.

The company offers expertise in marketing, communications, artist/career development, and public relations. It will create and carry out strategies for tour and music release campaigns. It also provides media training, and crisis management for artists, as well as media services for music festivals and cruises for which the company can act as sole producer or serve as consultants.

When you were honored last year with the Board of Directors Award by the Nashville Association of Talent Directors at its annual gala, you spoke of the camaraderie of the Nashville community. The notion of being a tight-knit family.

Absolutely. Nashville is a big city, but it’s a very small community. We don’t always get along. We don’t always appreciate deals that are cut by our competitors, but when it’s all said and done, we are a big family.

Back in the day handshakes meant something. Family meant something. Today, people want contracts. Everybody is out for themselves. If I can bring the grouping of clients that I have together, and create a huge camaraderie with all of legendary acts and, with some of the emerging acts that we work with....

Give me an example of that camaraderie.

Well, you look at Big & Rich’s success today. John Rich lives by the same value of, “It’s a family, this business.” Big Kenny is out there saying, “Love everybody. C’mon, let’s be a family. Let’s treat everybody good.” You look at them, and as well there are other people today that still have Top 10 records, and have had for the past decade, and have been out there for 30 years, and are our clients, they all live by the same (family) thought process. That’s what I think that country music has always been known for, and that’s why I think country music still resonates today across the world. It is because of what it stands for.

You have a significant roster. You recently hired two new staffers, former Essential Broadcast Media publicist Amanda French Clark, and Scott Adkins, former dir. of publicity at Kaleidoscope Media.

The blessing is that there are 10 of us in the office that do publicity.

Amanda is based in Lexington, Kentucky.

Her and Nick Wade both. There are two (publicists) in Kentucky that I have hired. The blessing is finding good people. Finding people who love the music as much as I do, and that want to have growth with what we do.

Am I correct that 70% of your artist roster are heritage country acts and 25% are emerging acts?

Yes, correct. I love, love, love representing the legends of the format.

Among your roster list are corporate clients--cruises and music festivals.

Yes. We do corporates and festivals, and things of that nature. How we break that down is that everybody in our office is pretty much specialized. When I hire them we find out what their strengths are. For instance, Caitlin DeForest (publicity and events manager), who has been with me close to four years now, Caitlin loves festivals. She loves rock. That’s the music that she listens to. She loves clients that have a beginning, and an end. Meaning she knows that when she takes on a client what the expectations and the needs are. She wants to achieve those and more, and be done with it.

Festival duties for a publicist are over at the closing night curtain. Then it’s onto the next year. The same with cruises.

Correct. I recently went on The Country Music Cruise with Kenny Rogers, and the Oak Ridge Boys—our clients—as well as 20 artists including Mel Tillis, and Randy Owen of Alabama, and Kathy Mattea. We represent the cruise as a whole. We have since announced the 2017 lineup, and now we will start the cycle all over. But the 2016 cruise had a close to it.

[More than a dozen country stars will perform on the 2017 Country Music Cruise when it sails through the Caribbean from Jan. 27th through Feb. 3rd, 2017. Vince Gill leads the lineup with a special appearance, and the party continues with Charley Pride, the Oak Ridge Boys, Brenda Lee, Lee Greenwood, Tanya Tucker, Moe Bandy & Joe Stampley, Jo-El Sonnier, Sylvia, Deborah Allen and Chuck Mead & His Grassy Knoll Boys aboard Holland America’s MS Oosterdam from Tampa to Key West, Cozumel and Costa Maya.]

Do you have much competition for clients in Nashville?

There are some great publicists in town. A couple of people that have worked for me have started their own companies like Ebie McFarland. Ebie worked for me close to 4 ½ years and (as EB Media) she represents George Strait, Kenny Chesney, Eric Church, and Darius Rucker. She has a really nice roster. I’m proud of her. It’s like raising your children, and seeing them go off and have success.

Veteran Nashville publicist Martha Moore (of so much MOORE media) has worked with you on projects.

And she still does. Martha still does a lot of projects with us. And then I’ve got Don Grubbs (Absolute Publicity) who worked with me for several years. He represents Larry Gatlin and the Gatlin Brothers, Mel Tillis, the Marshall Tucker Band, the Bellamy Brothers and some great clients. He learned from me that with the legends they will always have people that want to talk to them because of their history. So instead of him chasing hot new acts as well, he’s been able to sign some of these legendary acts like Ricky Skaggs. That’s his roster. I’m very proud of him too. That’s another one of those kids that came out of my school. That came from my roster of staffers that are successful. Those are the good things that I am proud of as part of my 20 years in the business. That I have spawned a couple of great people who worked for me that have launched their own companies and are doing well.

You came to Nashville in 1995 at age 20 from the small Arizona town of Gilbert within the Phoenix suburbs. A small farm community. Did you grow up a country music fan?

A country fan was all that I was. I am a child prodigy of the ‘80s era of country music.

You are from a blue collar family. Your mother was a hairdresser and later worked at the USPS, and your father worked at a defense assembly plant. A hardcore country music household?

Oh yes. We listened to KNIX when I was a young boy; when the station was owned by Buck Owens. Then KMLE Country came in as a secondary station in the Phoenix market. You flipped back-and-forth on the dial to what you wanted to hear. This was before satellite radio. This was when you went to concert to concert to concert because that’s what you loved to do.

Were you shitkicker?

No. I was probably a Wal-Mart cowboy. You go and buy the boots. You want a pair of jeans, but not necessarily Wranglers. But when you love the music, you love the music.

Did you hang out at the local country bars?

No. I was too young. Toolies Country was the big nightclub when I was growing up. There was also Grand Central Station (in Tempe) which with Toolies brought in all of the shows.

Did you attend rodeos?

Sure, I’d go to the rodeo to see what the entertainment was, but I wouldn’t go to the rodeo to watch the rodeo.

Why didn’t you go to college?

I don’t know. I think that I had my mind set on working in country music and I was going to do what I wanted to do. I moved to Nashville in 1995 with the hopes and dreams to work for Kenny Rogers, and Dolly Parton.

The two central figures in country music at the time.

Absolutely. I was like, “I am going to Nashville and this is what I’m going to do.” I came to town. I didn’t go to college. I didn’t go to Belmont. I didn’t go to Vanderbilt. Never worked for a record company.

How did you get to Nashville, and what was your first impression?

I had a little Chevy S-10 Blazer, and I and drove 28 or 29 hours straight from Arizona. All the way across (Interstate) 40 to Nashville. I was so excited to get here. When I got here I was so exhausted that I got a hotel room off Dickerson Pike (the prostitution hotbed located in East Nashville), not knowing what that area was known for, and not knowing that I could have woken up and my car could have been gone. But I slept, and then I found myself an apartment to stay. The rest was history. Then it was, “Well what am I going to do?” That was January 5th 1995. Off and running, I went to CRS, the country radio seminar at the Opryland Hotel and I did everything I could to network there, and make things happen.

Here’s a kid out of Gilbert, Arizona trying to break into Music City.

Yeah, and this is really what happened. So I moved here, and I cold called. I really started cold calling people to try to get an opportunity, and I just started building the company. My first client was Janie Fricke. Janie, Carl Perkins and Freddy Fender all signed with me the same week when I first started cold calling out. I worked with Freddy until he passed. I worked with Carl until he passed. And Janie is still a client today.

How did you come to represent Hank Williams Jr.?

Fast forward four years later to 1999. Kathy Gangwisch, a very prominent publicist in Nashville who also had an office in Kansas City, represented Hank Williams Jr., the Oak Ridge Boys, the Gatlins, Don Williams etc. I got a phone call that she was going to be retiring because she had Crohn's disease, and that her clients were going to be notified the following day. So the next day after I knew that her clients had been notified, I cold called (Hank William Jr.’s then manager) Merle Kilgore. I said, “I would like to have a meeting with you.” This was on a Tuesday....

You drove out to see him in his office in Paris, Tennessee?

No, no, no. Wednesdays and Thursdays he spent in Nashville. So I called him on a Tuesday, and he said, “I’m in town on Wednesday and Thursday. How about 2 o’clock on Thursday?” I said, “Sure.” So I drove over, and I met him. When I walked into his office his first words were, “What can I do you for?” I said, “I’m your new publicist.” He said, “Oh, have a seat.” Immediately the conversation went to, “Do you know that I co-wrote ‘Ring Of Fire?’ Did you know that I was June and Johnny’s best man? Did you know that I wrote ‘Wolverton Mountain?’” Literally for four hours we stayed talking, talking about him double dating with Elvis. At 6 P.M., he asked if I wanted to have dinner. I said sure. We went to a Mexican restaurant. The mariachi band played “El Rancho Grande.” He didn’t like the song. He said, “Play ‘Ring of Fire.’” They didn’t know it. He gave them a twenty, and sent them on their way and told them to learn the song.

It was a funny moment.

He then said to me, “Can you come to Kentucky tomorrow? Montgomery Gentry and Toby Keith are opening for Hank Jr., and I want to introduce you.” So I drove to Louisville, Kentucky to the Kentucky State Fair. Hank pulled up in a limo. I was waiting out back. I didn’t have a pass or anything. Merle saw me, and waved me over. I went on the bus. Merle said, “Hank, this is your new publicist.” Hank said “What does he do?” Merle said, “He gets you in the papers, and things, brother.” Hank said, “Oh,” and then turned around, and walked to the back of the bus, and that was it. All of a sudden Merle said, “Send me a bill. Send me a statement. You are our guy.” That was 16 years ago.

Hank Jr. has a new album “It’s About Time.” He recently performed his single “Are You Ready for the Country” on “The Tonight Show,” and he shared the stage with Whoopi Goldberg on “The View” for a duet performance of “Wrapped Up, Tangled Up in Jesus (God’s Got It).”

That’s one of the press moments that’s going to be talked about forever. People are asking, “How did that happen? You had someone from the far left and someone from the far right coming together for music.” You had someone from the far left and someone from the far right coming together for music.

In a recent interview Hank said he didn’t care about politicians. That they are all snakes.

He said in USA Today that he didn’t give a shit (about politicians). It’s all about reinvention (for legendary artists). I think that the key thing with Dolly, Kenny, Hank, and some of these artists, is that they know what exposure is good exposure, and they know what overexposure is.

At 77, Kenny Rogers is now planning a retirement tour?

There’s really nothing that I can say about the retirement because we haven’t announced the dates or what the plans are yet only because they are putting the final touches to it through his current management Ken Levitan (Vector Management).

But the talk is that this is his final tour.

Absolutely. We would announce it as a farewell tour, but we are still defining where he will be playing, how long will the tour go on, and what that means. There are still a lot of unknowns. We got through the Christmas tour, which he has done every year for the past 30 years, to great numbers and sold out houses. Now we are trying to plan what this farewell tour is going to look like. Who is going to be on the bill with him? How many dates are we going to do? What kind of markets are we going do? What venues? There are a lot of things that are still up in the air that even all of us on the team have yet to been told about.

Last month Dolly Parton turned 70.

Still a force to be reckoned with.

She seems to be everywhere. Her movie “Coat Of Many Colors” was a ratings success for NBC-TV. She dueted with Don Henley on his current “Cass County” album. And she’s on the cover of the 2016 Official Tennessee Vacation Guide. At her age, she should be slowing down, but that isn’t happening. I know she personally oversees all aspects of her career.

Dolly Parton is one of the most active clients on our roster. Not for her superstardom, but who she is, and her make-up as a person. There is nobody that I know that works harder than Dolly Parton as a client. People think, “Yes she’s a star. Does she have to work that hard?” She works that hard because she wants to. She works that hard because that’s her drive and, to your point, Dolly Parton makes all her own decisions. We don’t give her advice. We give her information.

She’s very meticulous with details of her career.

Yes. I’ve been fortunate to be part of her team over the past decade. Everything that we do with Dolly Parton is strategized, strategized, strategized. Go back to the drawing board, and then execute. There is never a rush to judgment. There is never a, “We have to make a decision today or it goes away” moment. It’s, “Well if that’s the case, let it go away.” She makes sure that it’s the right decision for her brand. It’s actually “brands” because there’s Dolly Parton the musician. There’s Dolly Parton the philanthropist with Dolly Parton's Imagination Library. There’s Dolly Parton the business woman with the Dollywood theme park. There’s Dolly Parton the actress and screenwriter with “Coat of Many Colors,” and “Nine To Five” and all of the things that she has been part of.

And there’s Dolly Parton the songwriter.

Dolly Parton the songwriter. You are exactly right. So there are requests that come in for her from all of those sectors, but there are still only 24 hours in a day for her to choose what direction that she is going in. So we assemble all that information. We then send it over to her office. She still does not do email. Everything is done via fax. She has a manager Danny Nozell (at CTK Management). Danny has really changed the landscape of her music and touring over the past 12 years since he’s been with her. She wasn’t touring prior to working with Danny.

Dolly’s career went into a lull prior to her Sugar Hill Record releases, and starting with “Little Sparrow” in 2001, she returned to the spotlight. She’s one of the few veteran artists to return bigger than ever.

Oh yeah. And still to this day she’s bigger than ever. I was fortunate to travel with her through the European tour in 2014. Everywhere we went, it was unbelievable the audience response. We were selling out arenas. Two nights at the O2 etc.

That’s a market Dolly had been away from.

She hadn’t been there prior to 2006. She went in 2006 and prior to that she hadn’t gone in years. During the last couple of tours that we have been part of over the past 10 years, traveling around the country with an artist where age doesn’t allow her to get on the radio a lot of times, she still has everything going for her because it’s her brand. It’s not about any one piece of Dolly Parton, if that makes sense.

For decades country music artists were quarantined by national media. With the emergence of new country in recent years, country acts are attracting the attention of leading national shows. They still may only want Eric Church, Kenny Chesney, or Toby Keith. But, if only because the staff of those shows have grown up with country music, veteran country stars are also having similar opportunities. That accessibility was not a given 20 years ago.

But let’s face the facts. The accessibility still isn’t there across the board. It is a ratings game at television. They still want the hottest newest acts that are going to garner ratings. The blessing of what I have learned to do with my career, and in my business representing legends and heritage acts, is that every one of them on our roster has a story. Almost every one of these artists that we represent has already been on those shows in the past. So their whole intent is not to chase that new opportunity that is there. It’s about doing the things that they want to do, when they want to do them. It’s understanding how things evolve and change; whether it is being at radio, print media or TV. You find a lot of (former TV) bookers are now executive producers. If you pitch the producers, some of them don’t have a clue of who some of the clients that I pitch are. But when they take it to their pitch meetings, the executive producer will be like, “Absolutely, I remember.”

Here’s a great example. Woody Fraser is the executive producer of “The Home and Family Show” on the Hallmark channel. He’s been around forever with the likes of “Good Morning America,” “The Dick Cavett Show,” and “The Mike Douglas Show” and so on. I have pitched him on several people in the past that he absolutely had on during his Mike Douglas days; that he had on “Good Morning America.” That he will immediately book on “The Home and Family Show” because he understands their name value, and what they will bring to his show.

Obviously, there are relationships of some sort between him and the legendary artists.

Absolutely. Where some times you go to show that have executive producers on these other current shows that are younger; that have never heard these artist names; and it then takes showing a clip of that client for them to realize their relevancy. So the game in TV and the media is still a cat-and-mouse game as to what is important and what is not important. “Who is going to get us ratings?” When you represent a superstar then the producers are coming to you for that client. Then it’s all about what fits in the schedule. Then you deal with the politics of what shows will follow.

Your clients do regularly appear on leading national TV shows Including: “The Today Show,” “Good Morning America,” “This Morning,” “The Tonight Show,” “Late Night,” and “The Late Show”; celebrity-based shows like “The Chew,” “The View,” and “The Talk”; and even on the gossip-driven shows like “TMZ Live,” “E! News,” and “Extra.”

Absolutely (laughing). Again, we are living in a reality-based world in the press.

And a 24/7 news cycle as well.

Absolutely. Years ago you could hold back news. Not anymore. Yeah. When I started 20 years ago the reality was that a photo pass meant something. When people called for a photo pass it was because they wanted to photograph your client for a magazine or a newspaper and you tried to say, “Okay for the first three songs,” because that way you knew that your client looked the best. They weren’t hot from the lights, and sweat wasn’t rolling down their faces. You controlled it (the photo shot). Today with iPhones and HD cameras, people buy a front row seat, and they are filming or photographing the entire show. As a publicist you no longer control what images make it onto the internet or make it out to the public world because everybody is a photographer.

That access has also brought an immediate connectivity to fans which are sending photos to their friends or uploading content to their social media.

But as a publicist it is still our job at the end of the day to protect that (artist’s) image. The reality is that some of the images that the fans put up online don’t compliment those artists or those clients. You can’t police it. You can’t tell them to take them down. You try to do your due diligence as much as you can. I would say that if there’s one frustration about our business is that. Back in the day people controlled the image. They knew what photos were being used in newspapers. They knew what photos were being placed because it was the approved artwork.

With the twice-monthly syndicated video segment “The Pickup” that you created last year, you seem to have hit a “sweet spot” at country radio. You noticed that their websites lacked strong content?


[Launched in Jan. 2015, “The Pickup” is currently carried on the sites of about 70 stations around the country, as well as on the U.K. satellite provider SKY Television, and Heartland Network weekly Country Fixprogramming.

In Dec. 2015, Midwest Communications added the program to the sites of 16 of its country stations. It is also on the digital menu for some of Cumulus’ NASH Icon-branded stations, as well as several independent affiliates as WLXO in Lexington, Kentucky.

“The Pickup” crew tapes interviews and footage at industry events in Nashville which is then edited into 5 minute segments that are posted on the first and 15th of each month. The content mix features 70% veteran acts and 30% contemporary artists.] “The Pickup” is a free service. Is it advertising-financed?

Yes. The Country Music Cruise is one of the sponsors, and we have a few others that are coming on board.

Why did you create “The Pickup?”

As we talked about previously, 70% of my clients are legends. Country radio is a very hard format for legendary acts to get played on. I noticed that all of these stations pay homage and all have respect for the legendary artists, but they just don’t necessarily play their new music.

Contemporary country radio stations don’t mind associating with veteran country acts when they are touring. No doubt they are seeking tickets for listener giveaways.

They want the tickets. They want the meet-and-greets, but they won’t necessarily play the new music. So listeners, and the fan base don’t necessarily know that Dolly has new music out in order to go and buy it. I started thinking, “How can I get that news and information out about my clients besides sending out press releases out, and hoping that somebody reads about it? How can I share that news in the artists’ voices themselves, and get the word out; where it’s not a voiceover, and it’s not a DJ talking? It’s the artists themselves talking about what they have going on, and what is important to them.

“The Pickup” is a way of controlling the message as well.

I know where you are going with this and I know what you are saying, but I’ve got (host/writer/producer) Adam Wurtzel who produces pieces. I pretty much give him the creative freedom to produce the best piece for our clients, and well as non-clients.

Basically, you have elbowed your way onto a media platform in which there wasn’t anything substantial previously.

You are exactly right. But if I can finish this thought. I wanted something to be in their voice. I figured out that for a camera crew to go through this expense...Mind you my clients pay me a retainer. So I’m going “They are paying me to create opportunities of exposure. At the same time if I hired somebody in-house that can shoot and edit video it that’s going to cost me X amount thousands of dollars a year. But I am making X amount of dollars a year off of retainers. So it all pays for itself. I need somebody that is going to be able to dial this in.” So we started out a year ago just by putting a thing called “The Pickup” together. Then I said, let’s start soliciting this to radio stations as a free piece that can go on their home page, and let’s see how it goes. If we get 30, 40 or 50 stations I will be happy.” I just want to see what the reaction might be. Well, we got to those numbers, and all of a sudden people started seeing what we were doing and hearing about it. Mind you the Billboard article that recently came out was the first time that my name was attached to the project. I had kept radio silent on purpose.


I don’t want other publicists to feel that it was a competitive thing. I didn't want them to feel that it was only for my clients even though Adam would interview some of Don Grubbs’ clients or some of Ebie’s client or other publicists in town clients I didn’t want them to feel threatened like I was using that to lure their artists into my roster. So I kept my name quiet. All of a sudden the Billboard update came out, and I started getting phone calls from record companies, and people going, “I didn’t know that you controlled the home page content of 70 radio stations. Are these reporting stations? How do we get to be part of this?” I went “Ahhhhh.” The one thing that I didn’t want to be know known for is why people are now calling me.

At the same time “The Pickup” might featuring a new video from one of your clients.

Yes. We created this piece “The Pickup” as an avenue to expose my clients’ new projects, to show the fans and the listeners out there that these legendary names are still current. Still making music. Still touring. If you want to see them, you can still see them at the Opry or on the road or get their new music. That was whole intention and it kind of morphed into what it is now, what it has become. Then the phone started ringing after the Billboard article (last month), “Hey, we need to know a little more about this.” That’s one franchise. For disclosure there’s a second franchise that we launched in the same vein called “The Test Drive”. That’s where we take an artist and they drive up and down Music Row telling their story of their new single or their new album. What they have been up to. We have done it with legendary acts. It really is a way to test new music with the Music Row Radio panel.

Let’s talk about George Jones’ star-studded “No Show” concert at the Bridgestone Arena in Nashville on Nov. 22, 2013 that you helped plan.

I have to say that was a magical night. Nancy Jones, myself and George talked about where would the final show be when he decided to retire, and call it quits. We got with Mike Smardak at Outback Concerts, and we decided that it would be in Nashville. There were so many artists through their career that said that they wished that had sung a song with George Jones or they really wanted to or that was the highlight when they did. George, myself and Nancy said, “Who would we want to come and be part of this extraordinary event?” And George made a list. He said, “Here’s what I want.” So literally took the George Jones’ letterhead to my office. I typed every single letter of people that he wanted to invite. I took them back to the house, and he signed every one of those letters personally. Then we mailed them off saying, “Would you like to be part of the show?”

I assume the response was strongly favorable.

The response, and the reaction was overwhelming. So Nancy said, “Okay, here’s what we are going to do. We have all of these artists. George is going to do X amount of songs. Let’s figure out how we are going to include all of these people and make it work.” So we started mapping it out, and started calling some of the folks back that said they wanted to perform. We asked about this song, and we asked about that song. It was all mapped out. Then, as we got further along in the process. George looked at Nancy and I both, and he said, “You know that I’m not going to be here for this show?” We said, “Oh. c’mon George. Don’t say that.” He said, “Y’all can do all of this work, and keep doing it, but I’m telling you that i am not going to be here for this show.”

He knew his death was imminent?

He knew it. So he says all this to us, and we are saying, “Don’t say that.” So fast forward, and we are asking, “George what do you want to do with these VIPs? We are going to do this meet-and-greet. and we are going to this and that.” He says, “Again guys. I’m telling you that I’m not going to be there, so just plan whatever you gotta plan.”

Over what time period was the planning going on?

We started in September or October (2012) having those conversations. Almost a year prior to the event. It was probably around February (2013) that he kept telling us that he wasn’t going to be there. He said, “I’m not going to be there.” As we know he passed away a few months later (on April 26, 2013).

Then the “No Show” concert became like planning a funeral celebration?

Yeah, essentially that’s how crazy it became. So fast forward to the weekend of his passing. I had been invited to participate in the George W. Bush Library opening in Texas. George [Jones] was in the hospital and I went to see him. I said, “George, I have this opportunity to go and do this, but if you need me I will stay here.” But he said, “Son, go. I’m fine. I am actually getting out of the hospital tomorrow. The doctor told me.” I looked at Nancy, and she says, “He’s getting out.” So I went down to Texas and two nights in, I got a phone call about 10 o’clock at night, and Nancy said, “Big Daddy”—that’s what George always called me--“George isn’t doing so good. If you can get back here it would be a good thing.”

I tried to get a private plane, and I couldn’t because every head of state were all there for the library opening, and all of the FBOs (fixed-base operators) were shut down because of four presidents being in town, and all of this other craziness. So I took the first flight out at 6 A.M. from Dallas, and got back to Nashville. George passed while I was in the air. I had told Nancy that if something happened, “Don’t let anybody in that room.” So when I got to the hospital it was me, her daughter, a few family members, and George in the room. She said, “I haven’t done anything. I’ve told the doctors not to move him, not to do anything until you got here.” When I got there we sort of made the plans, and then we figured out what the next moves were. Curated his funeral celebration. Got that all done and the week after that we had to make a decision. Do we can cancel the show or do we continue the November show? We reached out to Vince Gill, Garth Brooks, George Strait, all of the artists that had committed, and we said, “We want to ask your opinion on this.” Every single artist said, “We will be there. We are going to make this the biggest celebration for George.”

For the show on November 22, 2013 you had over 112 acts appear on one stage. Amazingly, the show ran on time. Everybody got on stage and off-stage in the time that they were allotted.

We more or less told every artist, “Here’s the deal. Every seat is sold out. It’s done. Everybody gets credentials for your spouse and your manager. We don’t have comps. We don’t have seats to put people. Everybody is sharing dressing rooms. We don’t have space for everybody to bring in their bus. So if everybody can work with us we will do the best that we can.” And it was the best night. One artist was quoted as saying that, “This is like an award show without any egos.”

Clearly, you just aren’t representing artists for public relations. Many of your clients like George have been with you for a long period of time. Through bad times, and good times. This must have been a rough time for you.

Any time that there’s a tragedy and you are close to a client, it’s a tough time. I’d known George Jones since I was 16. Nancy Jones gave a backstage pass to come and hang out because I was trying to sneak in backstage to meet the man. And then to get to work with him all those years. To work with Hank Jr. for 16 years. Anytime you are close with these artists and something goes wrong you are personally affected. Randy Travis, I happened to be in Texas with him (in 2013) when he had the heart issue. When the stroke took place. When they had to figure out what was the next move. To bring him to the National Vanderbilt Hospital or keep him in Plano, Texas.

I was there all during that time period.

How is Randy today?

The doctor told us it would be three years before Randy could make a full comeback. Today, it 2 ½ years later. I’ve been out to dinner with him since. I have had conversations with him. I know that we are going to be announcing some things pretty soon on the Randy Travis front that I think that America as well as his fans will be happy to hear.

[In 2013, Randy Travis suffered congestive heart failure and was diagnosed with cardiomyopathy after being admitted to Baylor Heart hospital in Plano, Texas. He suffered a stroke while in the hospital and had surgery to reduce pressure on his brain.]

So Randy is still a client?

Absolutely. We sort of are on a hiatus because he’s not performing but I have a list of people that want to talk to him first, if you will, when he does that first interview on his comeback. But yes, I stay in touch with Mary his wife and Tony Conway, his manager. Every request that we get we communicate to them. We have those conversations. Absolutely.

In 2011, Hank Jr. referred to Adolph Hitler in speaking of President Obama. As a result, ESPN cut his opening song to “Monday Night Football.” A PR nightmare for you?

You know, not really. If you understand that Hank was making an analogy, and understand that he wasn’t pinpointing anything one way or the other. You have clients that are going to say what they believe. Hank Jr. is one of those clients.

Much like Kenny Rogers recently saying, “I like what Donald Trump has to say.”

Yes. You have clients that are going to say what they believe. As a publicist you can advise them as to what would be best for their overall career. They are still going to be themselves. So when Hank made those comments, and it created a controversy, I phoned him and I said, “What do you want to do about this? Everybody is asking for a comment. The following morning on “The View” Joy Behar and Whoopi Goldberg were the two first people to step up and say, “Wait a minute people. He’s an American. He can say what he wants. At the same time he made it as an analogy. He didn’t call one person or the other.”

That right there made Hank think. Here were two very Liberal women, and he’s a very Conservative man. He said, “These women defended me for what I said based off what the intention was. Everybody wants me on their show. Diane Sawyer has been calling. All of these people have been calling. I don’t want to do any of it. I am going to do that show with them.”

We got on the jet the next morning and we flew to New York City and he appeared on “The View” with those two ladies. When it was done Joy said, “Would you come and do my TV show?" So we stayed and taped her show (“The Joy Behar Show” on HLN), and got on a plane and came home. What I learned also from experience was that Hank didn’t run from his position. He explained his position and he addressed it, where I find some celebrities, ever in the middle of a controversy, they are advised to more or less shut down. Don’t say anything. Let it go away.

The way the news cycle works today ignoring a crisis cranks up the volume of the story.

Exactly. As we learned, it doesn’t go away. So us addressing it directly, it did go away because he said his piece, people saw it and they moved on. It’s no different from a few months ago I got an inquiry from the National Enquirer that “Dolly Parton is dying of cancer, and has kidney stones.” I’m like, “What are you talking about?” I knew what was going on in her world, and by no means did she have cancer. When I called Danny Nozell, her manager, I said “This is what’s coming out in the Enquirer.” He said, “Hold on let me get DP on the phone.” He calls her and Dolly says, “Okay I had kidney stones. People always wanted to know about that stuff let’s put out a press release, and let’s beat them at their game.” As soon as she put out a press release saying that she’d had kidneys stones, but she does not have cancer the story was a dead issue. We subsequently promoted the (“Coat of Many Colors”) movie, we went to all of these talk shows. Not one brought up that she had had kidney stones because she had already addressed it. It was non-news. If we hadn’t done that, it would have lingered.

In 2012 you sued the Grascals, and the band countersued you. Was it painful going through that kind of drama in the public eye?

It was a learning experience for me. When you are owed money, and you give your heart and soul to a client, you assume that everybody is going to do the right thing. I was told multiple times that I would be paid. I didn’t get paid. So I sued them. They countersued me for ”not paying a charity” for their CD. My argument was I’m not their business manager. I’m not a person who writes their checks. My name has never been on their checking account. So how could I not pay somebody for something that was involved with their record? It all got resolved behind closed doors. Subsequently I have seen them. It’s been hugs and kisses when I’ve seen them at the Opry. There’s no drama.

[The gist of the 2012 dispute was that Webster initially claimed that the Grascals broke a verbal contract. The band countersued saying that Webster had "booked unprofitable shows and used unethical tactics,” which the band states may have included withholding money for CD purchases intended for St. Jude Children's Research Hospital in Nashville as part of their Cracker Barrel agreement.]

What did you learn from the incident?

What battles to fight in public and what battles to fight behind closed doors.

Considering what transpired do you now work with client contracts?

Nope. To this day, I still don’t have a contract. At the end of the day I love everybody, and I want everybody to do good. For 17 years I had worked in this town, and I didn’t have any drama. That was a learning experience for me because I probably pulled the scab off of the wound by throwing the first punch because I wanted to be paid for all of my efforts and work. It all got resolved but it was done in public forum which, unfortunately. I probably should not have done that. So I learned the hard way from that. But there’s no ill will between either side at this point. So you learn those things but I didn’t change my business practices by any means. I am who I am. I say what I do and I do what I say I’m going to do. So I’ve never needed a contract. To this day I don’t have a contract with any client.

Larry LeBlanc is widely recognized as one of the leading music industry journalists in the world. Before joining CelebrityAccess in 2008 as senior editor, he was the Canadian bureau chief of Billboard from 1991-2007 and Canadian editor of Record World from 1970-89. He was also a co-founder of the late Canadian music trade, The Record.

He has been quoted on music industry issues in hundreds of publications including Time, Forbes, and the London Times. He is co-author of the book “Music From Far And Wide.”

Larry is the recipient of the 2013 Walt Grealis Special Achievement Award, recognizing individuals who have made an impact on the Canadian music industry. He is a board member of the Mariposa Folk Festival in Orillia, Ontario.


Industry Profile Archives:
Mick The DJ, DJ/Enterpeneur 04/30/15
Jeremy Lascelles & Robin Millar, Blue Raincoat Chrysalis Group 12/01/17
Joanne Abbot Green, CMJ Music Marathon and Film Festival 10/17/08
Lee Abrams, XM Satellite Radio 11/28/03
John Acquaviva, Fund Manager, DJ and Serial Entrepreneur 07/09/15
Jay Boy Adams, Roadhouse Transportation 05/04/07
Jamie Adler, Adler Entertainment Group 05/11/07
Gary Adler, National Association of Ticket Brokers 12/04/13
Rodney Afshari, Freeze Artist Management 03/01/02
JC Ahn, VU Entertainment 04/10/13
Steve Alaimo, Vision Records & Audio Vision Studios 05/26/06
Jaye Albright, Albright & O'Malley Consulting 07/19/10
Randy Alexander, Randex Communications 10/12/07
David Alexander, Sheer Publishing 07/21/16
Eva Alexiou-Reo, FATA Booking Agency 05/14/15
Marcie Allen, Mad Booking 12/14/00
Jeff Allen, Universal Attractions 08/16/02
Marcie Allen, MAC Presents 06/05/09
Marcie Allen Cardwell, MAC Presents 12/21/07
David Allgood, Bama Theatre 01/03/11
Patrick Allocco, AllGood Concerts 10/05/07
Michele Amar, French Embassy 05/26/16
Mike Amato, Rok Tours International 02/02/07
Jeff Apregan, Apregan Entertainment Group/Venue Coalition 09/30/15
Billy Atwell, AMP Studios 12/13/07
Bob Babisch, Milwaukee World Festivals Inc. 04/02/15
Tom Baggot, 05/02/03
Stephen Bailey, EPACC & Deleware Center For The Arts 02/06/04
Cary Baker, Conqueroo 05/11/11
Vince Bannon, Getty Images 07/05/11
Phil Barber, Barber & Associates 02/04/01
Camille Barbone, WineDark Records 12/09/05
Erin Barra, Musician/Producer/Educator 07/10/14
Ben Baruch, The Fox Theatre 09/27/08
Ben Baruch, By Larry LeBlanc (CelebrityAccess) 04/05/17
Paul Bassman, Ascend Insurance Brokerage 08/03/16
Adam Bauer, Fleming, Tamulevich & Associates 02/15/02
Ed Bazel, That's Entertainment International 10/05/01
Joachim Becker, ZOHO Music L.L.C. 01/12/07
Howard Becker, Comet Technologies 05/02/11
Mark Bego, Author 06/15/07
Jim Beloff, Flea Market Music 09/20/10
Richard Bengloff, The American Association of Independent Music (A2IM) 09/12/13
Seth Berg, South Bay Music 01/30/09
Aimee Berger, 2 Generations SPA Music Management 09/24/04
David Berger, Future Beat 10/29/14
Barry Bergman, Music Managers Forum 03/14/03
Steve Bernstein, Relix LLC 09/30/05
Mark Berry, Attack Media Group 04/07/07
Scott Billington, Rounder Records 01/17/12
Jeffrey Bischoff, Cinder Block 03/24/06
Sat Bisla, A&R Worldwide/ Musexpo 03/29/10
Nina Blackwood, Sirius Satellite Radio 07/14/06
Adam Block, Legacy Recordings 11/07/13
P.J. Bloom, Neophonic, Inc. 01/24/11
Rishon Blumberg, Brick Wall Management 06/27/03
Justin Bolognino, Learned Evolution, and The Meta Agency 04/25/13
Steve "Chopper" Borges, Total Pro and Borse Techos 03/03/06
Les Borsai, Mediocre Management 01/30/04
Shane Bourbonnais, Live Nation Canada 03/21/08
Jeff Bowen, Sears Centre Arena 03/13/08
Rick Bowen, Mystic Music Experience 07/11/08
John Boyle, Sanctuary Music Group 03/19/04
Jeff & Todd Brabec, Writers/Attorneys 01/03/12
Bill Bragin, Joe's Pub at the Public Theater 08/08/03
Joel Brandes, Avenue Management Group 11/02/08
Joe Brandmeier, Moving Pictures 03/15/02
Scooter Braun, SB Projects 12/13/10
Ron Brice, 3rd & Lindsley Bar & Grill 06/08/16
Billy Brill, Billy Alan Productions 11/11/05
Doug Brown, Talent Buyers Network 09/21/01
James Browne, Sweet Rhythm 11/01/02
Bob Brumley, Brumley Music Company 02/17/16
Tony Brummel, Victory Records 05/17/09
Charlie Brusco, TBA Entertainment Corporation 10/13/01
Del Bryant, BMI 05/18/07
Cortez Bryant, Bryant Management 12/06/10
Stephen Budd, Stephen Budd Management 07/13/17
Bruce Burch, University of Georgia Music Business Program 10/09/09
Deborah Burda, Kentucky Exposition Center 08/03/07
Patti Burgart, IEBA 06/07/02
Jordan Burger, The New Musiquarium 01/22/01
Ron Burman, Roadrunner Records 08/25/06
Suzanne Cadgene, Elmore 05/19/06
Karen Cadle, KGC Productions 03/12/04
Gary Calamar, KCRW 07/10/09
Charles Caldas, Merlin 07/05/10
Brian Camelio, ArtistShare 02/29/08
David Campbell, AEG Europe 08/02/10
Tom Cantone, Foxwoods Entertainment Group 10/20/00
Tom Cantone, Foxwoods Resort Casino 07/03/03
Tom Cantone, Mohegan Sun 08/30/09
Ashley Capps, A. C. Entertainment 05/21/04
Rio Caraeff, Vevo 07/12/11
Mike Carden, Eagle Rock Entertainment 08/16/11
Charles Carlini, Carlini Group 05/16/08
Mark Carpentieri, M.C. Records 05/27/05
Mark Carpentieri, M.C. Records 01/10/11
Troy Carter, Coalition Media Group 06/07/10
Daniel Catullo, Coming Home Studios 06/22/08
Raffi Cavoukian, Folk Singer/Children's Entertainer 05/11/16
Jeffrey Chabon, Chabon Entertainment Group 08/22/02
Mike Chadwick, Essential Music & Marketing 08/01/12
Rob Challice, Coda Music Agency 03/27/13
Tom Chauncey, Partisan Arts 01/11/02
Tom Chauncey, Partisan Arts 10/04/11
Lisa Cherniak, Artists Against Racism (AAR) 07/20/01
Bob Chiappardi, Concrete Marketing 06/13/03
Joel Chriss, Chriss & Co. 10/04/02
Michael Chugg, Michael Chugg Entertainment 09/14/01
Michael Chugg, Chugg Enterprises 10/02/09
Gary Churgin, Harry Fox Agency 09/13/10
Vinny Cinquemani, S.L. Feldman & Associates 12/13/12
Barry Coburn, Ten Ten Music Group 03/28/11
Matthew Cohen, Green Room Productions 10/19/01
Ted Cohen, TAG Strategic 01/10/13
Lisa Cohen, Associated Booking Corporation 02/10/06
Steve Cohen, Music + Art Management, Inc. 03/09/07
Dan Cohen, Music & Memory 01/12/17
Michael Cohl - Part 1, S2BN Entertainment 03/06/13
Michael Cohl - Part 2, S2BN Entertainment 03/13/13
Bryan Coleman, Union Entertainment Group 02/14/12
Mamie Coleman, Fox Broadcasting 07/05/12
Dennis Condon, Disneyland Resorts 07/13/01
Peter Conlon, Peter Conlon Presents 05/20/05
Tony Conway, Buddy Lee Attractions 10/06/00
Allen Cook, TOURtech 04/16/15
Tomas Cookman, Cookman International 09/05/03
Alex Cooley, Alex Cooley Presents 07/12/10
David Cooper, 10/31/03
Jay Cooper, Greenberg Traurig, LLP 05/23/11
Julie Coulter, Near North Insurance Groups 06/07/01
Amy Cox, Deep South Entertainment 02/09/07
Michael O. Crain, Crain Law Group, LLC 10/09/13
Charlie Cran, The Strawberry Music Festival 04/05/10
Jim Cressman, Invictus Entertainment Group 06/06/12
Russ Crupnick, MusicWatch, Inc. 07/23/15
Todd Culberhouse, Vision Management /Vision Records and Entertainment 09/05/08
Tony D'Amelio, Washington Speakers Bureau 04/21/06
Ruth Daniel, In Place of War 08/09/17
Ray Danniels, Standing Room Only Management, and the Anthem Entertainment Group 03/05/15
Ken Dashow, WAXQ-FM (l04.3 FM) - New York 09/08/06
Hal David, Lyricist 07/26/11
David Davidian, Independant Lighting Designer/Director 06/18/04
Anthony Davis, D&L Entertainment Services, Inc. 03/02/01
Chip Davis, American Gramaphone/Mannheim Steamroller 05/31/02
Mitch Davis, Tempest Entertainment 07/16/04
Jeff Dawson, Canadian Recording Services 06/08/08
Desiree Day, USO Celebrity Entertainment 08/10/01
Shauna de Cartier, Six Shooter Records/Six Shooter Management 10/23/13
Gene DeAnna, The Library of Congress 02/21/12
Vincent Degiorgio, Chapter 2 Productions 08/01/13
Tony DeLauro, DeLauro Management 12/23/04
Valerie Denn, Val Denn Agency 04/30/01
Val Denn, Val Denn Agency 03/06/14
Robert DePugh, Alligator Records 07/29/05
Tom Derr, Rock Ridge Music 10/29/04
Paul Dexter, Masterworks Lighting Design and Road Cases 12/10/04
Marty Diamond, Paradigm 01/22/10
Glenn Dicker, Redeye Distribution/Yep Roc Records 07/07/06
Barry Dickins, International Talent Booking Agency 06/06/13
Jim Digby, Event Safety Alliance 09/01/16
Mark Dinerstein, The Knitting Factory 11/17/06
Neill Dixon, Canadian Music Week 03/03/16
Thomas Dolby, Musician, academic, technologist, and author 11/09/16
Jasper Donat, Music Matters 2009/Branded 04/24/09
Jim Donio, National Association of Recording Merchandisers 04/22/11
Marc Dottore, M. Dottore Management 04/11/03
Tim Drake, The Roots Agency 12/12/08
Mike Dreese, Newbury Comics 11/23/11
Charles Driebe, Blind Ambition Management Ltd. 09/22/06
Jeremy Driesen, Ray Bloch Productions 09/07/01
Michael Drumm, Music Link Productions 07/18/08
Angie Dunn, Lucky Artist Booking 10/13/06
Jay Durgan, MEDIAmobz 11/09/11
Erik Dyce, City and County of Denver's Division of Theatres & Arenas 08/02/02
Erik Dyce, City and County of Denver’s Division of Theatres and Arenas 08/23/10
Paolo d’Alessandro, International Solutions 06/25/14
Ros Earls, 140dB Management 02/19/14
Art Edelstein, Festival Productions 12/01/02
Bruce Eisenberg, Audio Analysts 08/31/01
Martin Elbourne, The Glastonbury Festival 12/18/09
Michael Elder, Red Entertainment 03/17/06
Tod Elmore, Sixthman 11/24/06
Paul Emery, Clear Channel Entertainment 11/19/04
Arty Erk, Citrin Cooperman 04/27/16
Joe Escalante, Kung Fu Records 07/08/05
Colin Escott, Music Historian/Journalist 07/18/11
Ritch Esra, The Music Business Registry 09/27/02
Ritch Esra, The Music Business Registry 04/24/12
Mike Esterman, Esterman Entertainment 09/01/06
Jeff Eyrich, BePop Records 11/25/05
Bob Ezrin, Bigger Picture Group 05/24/09
Lisa Fancher, Frontier Records 08/09/10
Rick Farman, Superfly Productions 10/15/04
Ray Farrell, eMusic 06/09/06
Sam Feldman, S.L. Feldman & Associates 10/25/02
Bob Feldman, Red House Records 11/24/02
Charlie Feldman, BMI 08/26/05
Paul Fenn, Asgard Promotions 11/22/09
Debra "Fergy" Ferguson, TourDesign 08/01/03
Pete Fisher, Grand Ole Opry 09/11/09
David Fishof, David Fishof Presents 01/08/01
David Fishof, Rock 'N Roll Fantasy 10/05/08
David Fishof, Rock ’n’ Roll Fantasy Camp 02/28/12
Mike Flanagin, New England Country Music Festival 09/12/08
Joel Flatow, RIAA 12/13/11
Jim Fleming, Fleming Artists 03/20/10
Joe Fletcher, Joe Fletcher Presents 01/12/06
Jeff Fluhr, StubHub 10/06/06
Nancy Fly, The Nancy Fly Agency 04/02/04
Arthur Fogel, Live Nation 08/09/09
Martin Folkman, Independent Music Awards & Music Resource Group 08/11/06
Belle Forino, Fantasma Tours 03/18/05
Fletcher Foster, Universal Records South 07/31/09
Sam Foxman, Contemporary Productions 01/06/06
Todd Frank, 4Star Entertainment, LLC 01/24/03
Bob Frank, Koch Entertainment 01/09/09
Larry Frank, Frank Productions 01/17/11
Mike Fraser, Record Producer/Engineer 10/11/08
Carl Freed, Metropolitan Entertainment 06/22/01
Elizabeth Freund, Beautiful Day Media & Management 01/26/07
Harlan Frey, Roadrunner Records 07/11/03
Adam Friedman, Nederlander Concerts 06/22/07
Ted Gardner, Larrikin Management 04/25/03
Daniel Gélinas, Festival d’été de Québec 05/23/13
Marci Geller, Sonic Underground 08/15/08
Chris Gero, Yamaha Entertainment Group 10/26/16
Steve Gerstman, SGS 07/19/02
Sandra Gibson, The Association of Performing Arts Presenters 01/09/04
Sandra L. Gibson, Association of Performing Arts Presenters 01/16/09
Steve Gietka, Trump Properties 07/30/01
Steve Gietka, SMG Entertainment 03/19/14
Darren Gilmore, Watchdog Management 03/17/16
Daniel Glass, Glassnote Entertainment Group 10/16/14
Jake Gold, The Management Trust 04/13/01
Neil Goldberg, Cirque Productions 09/07/07
Harris Goldberg, Concert Ideas 06/27/11
Neil Goldberg, Cirque Productions 04/16/14
Martin Goldschmidt, Cooking Vinyl Group 09/29/16
Harvey Goldsmith, Harvey Goldsmith Productions 06/28/10
Michael Goldstein, RockPoP Gallery 11/09/07
Seth Goldstein, 09/20/11
Anna Paula Goncalves, CEO Global Brand Appeal 08/20/14
Arnie Goodman, Blue Storm Music 11/15/02
Wesley Goodman, Red Entertainment 09/16/05
Richard Goodstone, Superfly Productions 01/27/06
Christie Goodwin, Photographer 03/18/15
Rob Gordon, What Are Records? LTD 02/01/02
Steve Gordon, Entertainment Attorney 08/06/04
Yoav Goren, Immediate Music & Imperativa Records 06/10/14
Mike Gormley, L.A. Personal Development 11/10/06
Jonathan Gosselin, Gosselin Marketing & Promotions 07/02/04
Richard Gottehrer, The Orchard 04/10/09
Sean Goulding, The Agency Group London 09/12/12
Jerimaya Grabher, RPM Direct 09/26/03
Mary Granata, The Granata Agency 09/06/10
Kelly Graves, Providence Performing Arts Center/Professional Facilities Management 01/20/02
Stan Green, Stanley A. Green Lighting and Productions 12/12/03
Mark Green, Celebrity Talent Agency Inc. / Bergen Performing Arts Center 08/12/05
Jeffrey Green, Americana Music Association 03/10/06
Paul Green, The School of Rock 07/06/08
Benjy Grinberg, Rostrum Records 12/06/11
Brent Grulke, SXSW 03/06/09
Michael Gudinski, The Mushroom Group 10/29/15
Phil Guiliano, CIE USA Entertainment Inc. & OCESA PRESENTS Inc. 03/25/05
Steve Gumble, SBG Productions 06/16/06
Greg Hagglund, Vivelo! 05/07/04
Rodney Hall, FAME Music Group 11/06/09
Rob Hallett, Robomagic 02/05/15
Craig Hankenson, Producers, Inc 02/23/06
Kerry Hansen, Wynonna Incorporated 10/03/03
Eric Hanson, Ted Kurland Associates 12/20/02
Eric Hanson, Tree Lawn Artists 03/23/07
Rusty Harmon, MTM Music Management 12/06/07
Ali Harnell, Clear Channel Entertainment Nashville 08/15/03
Bob Harris, 02/06/09
Evan Harrison, Huka Entertainment 12/08/16
David Hart, The Agency Group 02/20/04
Laura Hassler, Musicians without Borders 12/02/15
Abe Hathot, Musician, composer, and music producer. 12/21/16
Steve Hecht, Piedmont Talent 08/29/12
Travis Hellyer, Mezzanine 09/02/05
Janie Hendrix, Experience Hendrix 02/01/10
Nona Hendryx, Rhythmbank Entertainment 06/02/06
Dan Herrington, Dualtone Records 07/25/03
Sara Hickman, Sleeveless/Stingray 06/30/06
Dan Hirsch, On Board Entertainment 04/04/03
Nick Hobbs, Charmenko 12/14/01
Carel Hoffman, Hilltop Live/Oppikoppi Productions 11/07/12
Ian Hogarth, Songkick 08/09/11
Gene Hollister, Rose Presents 04/08/01
Rusty Hooker, Rock Steady Management Agency 02/16/01
Jake Hooker, Hook Entertainment 05/10/02
Martin Hopewell, Primary Talent International 04/19/02
Tom Hoppa, TKO Booking Agency 09/29/06
Bobbie Horowitz, Times Square Group 01/04/02
Barney Hoskyns, Rock's Backpages 11/01/11
Bruce Houghton, Skyline Music 10/27/00
Bruce Houghton, Skyline Music 01/22/14
Andi Howard, Peak Records and Andi Howard Entertainment 09/02/03
Barbara Hubbard, ACTS 09/12/03
Laurent Hubert, BMG US 11/12/15
Seth Hurwitz, I.M.P. 04/20/09
Ariel Hyatt, Author, and founder of Cyber PR 11/23/16
Mark Hyman, Ashley Talent International 11/09/01
Brett Hyman, Category 5 Entertainment 07/23/04
Bruce Iglauer, Alligator Records 08/17/01
Bruce Iglauer, Alligator Records 05/28/14
Doug Isaac, Super Bowl Concert Series Producer (EXI) 08/24/01
David Israelite, National Music Publishers' Association 11/29/08
Tom Jackson, Tom Jackson Productions 02/06/13
Jay Jacobs, Parc Landon 09/21/07
Larry Jacobson, World Audience 09/17/04
Audra Jaeger, The Management Trust 05/09/03
Ralph James, The Agency Group 01/31/11
Jeffrey Jampol, Jampol Artist Management 07/18/12
Jean Michel Jarre, International Confederation of Societies of Authors and Composers (CISAC) 06/19/13
Michael Jaworek, The Birchmere 05/08/09
Peter Jesperson, New West Records 11/03/06
John Jeter, The Handlebar 08/15/12
Mike Johnson, Groundrush Media 02/17/06
Andrea Johnson, ICM Partners 11/02/17
Mike Gormley & Jolene Pellant, Yes, Dear Entertainment 04/23/10
Susan Joseph, Justice Entertainment Group 02/21/11
Darren Julien, Julien's Auctions 10/25/10
Henry Juszkiewicz, Gibson Guitars 09/28/10
Justin Kalifowitz, Downtown Publishing 04/20/17
Leonard Kalikow, Music Business Reference, Inc. 06/26/08
Craig Kallman, Atlantic Records 03/20/09
Steve Kane, Warner Music Canada 02/09/17
Danny Kapilian, Independent Producer 07/12/02
Mike Kappus, The Rosebud Agency 10/26/09
Andy Kaufman, Birdland 05/17/02
Wendy Kay, Mars Talent Agency 03/09/01
Lucas Keller, The Collective 03/22/11
Marty Kern, Clemson University 07/07/01
Carlos Keyes, Red Entertainment 10/08/04
Golnar Khosrowshahi, Reservoir Media Management 10/24/12
Martin Kierszenbaum, Interscope/Cherrytree Records 09/06/09
Barney Kilpatrick, Rattlesby Records 10/28/05
John Kinsner, The Walnut Room 03/28/08
Doug Kirby, LiveTourArtists 10/24/03
Steve Kirsner, Compaq Center 06/29/01
JoAnne Klabin, Sweet Relief 03/21/03
Andrew Klein, Revolution Marketing 11/05/04
Larry Klein, Producer, bassist, songwriter 03/13/12
Jack Kleinsinger, Highlights in Jazz 04/25/08
Ann Kline, Casa Kline 09/04/14
Brian Knaff, Talent Buyers Network 09/29/01
Kymberlee Knight, IEBA 11/16/00
Mike Kociela, 360 Productions 05/30/08
Stefan Kohlmeyer, Bach Technology 02/08/10
Lily Kohn, Microsoft Corporation 02/14/11
Tim Kolleth, Alligator Records 01/25/08
Al Kooper, Musician/songwriter/producer/author 02/06/14
Mitchell Koulouris, Digital Musicworks International, Inc. 02/11/05
Mark Krantz, John Schreiber Group 06/15/01
Jeff Krasno, Velour Music Group 11/19/07
Jeffrey Kruger, The Kruger Organisation 01/25/02
Harvey Kubernik, Author/historian/music journalist 08/20/15
Ted Kurland, Ted Kurland Associates 01/15/01
Jordan Kurland, Zeitgeist Artist Management 08/23/11
Carianne Laguna, Blackheart Records 03/07/08
Brady Lahr, Kufala Recordings 04/30/04
Ernie Lake, EL Records 01/19/07
Roks Lam, Wolfman Jack Entertainment 12/17/04
Anni Lam, Parc Landon 06/29/07
Gary Lane, CenterLane Attractions 10/14/05
Tom LaPenna, Lucky Man Productions 09/10/04
Camilo Lara, EMI Music Mexico/MIS 08/10/07
Gary Lashinsky, Lipizzaner Tours 05/13/05
Gregg Latterman, Aware Records 12/13/02
Tony Laurenson, Eat to the Beat 02/27/04
Emily Lazar, The Lodge 10/15/15
Bill Leabody, Leabody Systems 06/10/05
Peter Leak, 24-7 Worldwide Management 03/28/12
Steve Leeds, SR. VP/Promotion/Rock Formats at Virgin Records 07/26/02
Elliot Lefko, Goldenvoice 09/21/17
Bob Lefsetz, The Lefsetz Letter 11/14/08
Carl Leighton-Pope, Leighton-Pope Organisation 07/05/09
Steve Lemon, Live 4 Live, Inc. 12/06/02
Randy Lennox, Universal Music Canada 06/24/15
Simma Levine, Disson Furst and Partners 11/10/00
Andy Levine, Sixthman 06/08/07
Rich Levy, Clear Channel Entertainment Properties 06/25/04
Eddie Levy, Chelsea Music Publishing 07/24/14
Myles Lewis, Denise Rich Songs 12/20/10
Adam Lewis, Planetary Group 01/20/16
Terry Lickona, Austin City Limits 03/14/11
Justine Liddelow, Stage and Screen Travel Services 08/31/11
Jim Lidestri, Border City Media 09/03/15
Larry Lieberman, 4EverWild 03/28/03
Eric Lilavois, Crown City Studios, and London Bridge Studio 12/10/14
Miriam Linna, Norton Records 05/18/17
Marc Lipkin, Alligator Records 03/05/05
Tommy LiPuma (Part 1), Verve Records 11/08/10
Tommy LiPuma (Part 2), Verve Records 11/15/10
Alexander Ljung, SoundCloud 10/04/10
Andy Lo Russo, The Singing Chef 12/16/05
Phil Lobel, Lobeline Communications 08/13/04
Paul Lohr, New Frontier Touring 01/21/05
Paul Lohr, New Frontier Touring 05/17/10
Julie Lokin, New Audiences 03/23/01
Dave Lory, Artemis Records 03/30/02
Max Loubiere, Tour Director 04/11/12
Mark Lourie, Skyline Music 03/08/02
Dave Lucas, Live-360 04/28/06
Joe Lucchese, EventJoe 02/23/07
Kevin Lyman, 4 fini 03/30/01
Kevin Lyman, Vans Warped Tour 05/23/12
Jennifer Lyon, MeanRed Productions 01/18/18
Bubba Mac, 09/14/07
David Macias, Emergent Music Marketing 06/17/05
Kristen Madsen, Grammy Foundation and MusiCares 11/22/10
Larry Magid, Larry Magid Entertainment 05/04/10
Peter Malkin, PM Management 02/07/03
Toby Mamis, Alive Enterprises 02/12/01
Billy Mann, Green & Bloom | Topl1ne, Manncom 09/18/14
Tasea Margeolas, Multi Entertainment 06/23/06
Tony Margherita, dBpm Records 09/06/11
Bob Roux & Mark Campana, Live Nation 12/20/11
Lee Marshall, Magic Arts & Entertainment 09/13/02
Zach Martin, Radio Producer at New York's WAXQ-FM 08/30/02
Mario Martin, Gorgeous PR 04/27/07
Molly Martinez, Ticket Summit 2008 05/23/08
Paul Mascioli, Mascioli Entertainment 01/14/05
Michael Maska, Big Hassle 01/28/05
Ted Mason, Mi-5 Recordings 11/16/01
Steve Masur, Masur & Associates, LLC 11/21/03
Pam Matthews, The Ryman Auditorium 04/08/05
Terry McBride, Nettwerk Music Group 03/01/10
Michael McCarty, ole 06/20/11
Jim McDonald, McDonald Group 12/19/03
Virginia McEnerney, HeadCount 11/26/07
Doc McGhee, McGhee Entertainment 06/14/10
Camilla McGuinn, Tour Manager 08/24/07
Andy McLean, North By Northeast (NXNE) 04/01/05
Dennis McNally, Grateful Dead historian/publicist 09/06/02
Garry McQuinn, Back Row Productions 06/14/11
Ruthann McTyre, The Rita Benton Music Library; and president of the Music Library Association 08/31/10
Dick McVey, Musician's Referral Service 10/27/07
Katherine McVicker, Music Works International 01/08/15
John Meglen, Concerts West/AEG Live 02/21/13
Mark Meharry, Music Glue 05/28/15
Jorge Mejia, Sony/ATV Music Publishing 09/17/15
Dan Melnick, Festival Productions, Inc. 02/22/02
André Ménard, Festival International de Jazz de Montréal 06/12/09
Bob Merlis, Merlis For Hire/Memphis International Records 01/16/04
Doug Merrick, Cumberland Talent Agency and Merrick Music Group 07/21/06
Louis Messina, The Messina Group 10/22/04
Louis Messina, The Messina Group/AEG Live 07/17/09
Louis Jay Meyers, North American Folk Music and Dance Alliance 03/30/07
Louis Jay Meyers, Folk Alliance International 01/23/09
Todd Miller, House Of Blues - New Orleans 11/14/03
Jeff Miller, Fantasma Productions 03/16/07
Ben Miller, Rock Ridge Music 11/02/07
J. B. Miller, Empire Entertainment 08/22/08
Richard Mills, S.L. Feldman 11/02/09
Marty Monson, Barbershop Harmony Society 07/07/16
Linda Moran, Songwriters Hall of Fame (SHOF) 04/05/09
Jesse Morreale, Nobody In Particular Presents (NIPP) 09/20/02
Chuck Morris, Live Rocky Mountains 09/28/09
Mo Morrison, Independent production 05/24/02
Kevin Morrow, Steel Wool Entertainment 01/25/17
Nick Moss, Blue Bella Records 11/30/07
Jim Musselman, Appleseed Recordings 04/14/06
Natalia Nastaskin, United Talent Agency 04/13/16
Marc Nathan, Flagship Records 07/01/05
David Neilon, Rising Star Promotions 11/30/01
Don Neuen, Star Coaches Inc. 10/10/12
Dennis Newhall, DIG Music 10/07/05
John Nittolo, John Nittolo Productions 04/13/07
Ian Noble, Metropolitan Talent 05/23/03
Fabricio Nobre, A Construtora Música e Cultura 05/04/17
Josh Norek, JN Media, LLC 07/05/02
David Norman, Tour Manager 04/20/07
Mimi Northcott, Canadian Recording Services (CRS) 04/11/08
Bill Nowlin, Rounder Records 01/05/07
John Nugent, NY JAM Inc. 11/08/02
Andy Nulman, Just For Laughs 11/20/13
Sal Nunziato, NYCD 06/01/01
Bob O'Neal, Ryman Auditorium 06/28/02
Andrea Orbeck, Prehab Health and Fitness 03/15/10
Heather Orser, Toad's Place 01/29/01
Janet Oseroff, MultiMediaProperties 11/18/05
Marc Ostrow, Boosey & Hawkes 12/05/08
Riley O’Connor, Live Nation Canada 07/24/09
Jeremy Palmer, Buddy Lee Attractions 11/02/01
John Palmer, Megawave Records 08/31/07
Panos Panay, Sonicbids 12/23/05
Julien Paquin, Paquin Artists Agency 04/30/14
Graham Parker, WQXR-FM 11/26/14
Crispin Parry, British Underground 02/24/08
Donald Passman, Gang, Tyre, Ramer & Brown 04/09/10
Donald S. Passman, Gang, Tyre, Ramer & Brown 01/06/16
Bruce Patron, Overland Entertainment 07/28/06
Alexandra Patsavas, Chop Shop Music 09/27/11
Cheryl Pawelski, Omnivore Entertainment Group 09/26/13
Kerry Peace, Alligator Records 08/18/06
Eric Peltoniemi, Red House Records 12/14/09
Scott Perry, Sperry Media 03/11/05
Lawrence Peryer, Jr., 23 Omnimedia 11/07/08
John Peters, MassConcerts 06/07/11
Holger Petersen, Stony Plain Records 04/15/05
Jon Phillips, Silverback Professional Artist Mgmt/Controlled Substance Sound 08/29/08
Dave Pichilingi, Sound City 03/30/16
Vince Pileggi, Music Inc./Music Inc. Sounds 12/01/06
Eric Pirritt, Endit! Presents / The Fox Theatre 10/17/03
Neil Portnow, The Recording Academy 02/08/11
Louis Posen, Hopeless Records 04/04/11
Stephen Posen, Estate of Glenn Gould 01/23/13
Nadia Prescher, Madison House 06/20/03
Jeff Price, TuneCore 02/28/11
Tom Principato, Powerhouse Records 02/01/08
Roger Probert, Core Records 12/08/06
John "Grinder" Procaccini, JP Squared (JP2) 01/17/03
Mark Pucci, Independent Music Publicist 09/09/05
David Pullman, The Pullman Group 11/03/00
Rod Quinton, Saigon Sound System 04/18/11
Dolphus Ramseur, Ramseur Records 10/19/07
Jack Randall, Ted Kurland Associates 04/05/02
Jack Randall, The Kurland Agency 03/08/17
Debra Rathwell, AEG Live 05/03/13
Jeff Ravitz, Visual Terrain 02/08/08
Paul Reed, Association of Independent Festivals (AIF) 06/14/17
Rich Rees, M.P.I. Talent Agency 09/19/08
John Reese, Freeze Artist Management 08/01/08
Bill Reeves, WRIII, Inc. 10/20/06
Stephen Rehage, Rehage Entertainment 07/30/04
Lisa Reiss, Pearl Productions 08/17/07
Salaam Remi, Composer, producer, musician and label executive. 01/08/14
David Renzer, Universal Music Publishing Group 08/23/09
Alison Richard, Universal Orlando Resort 05/06/05
Kelli Richards, The All Access Group 02/07/12
Gary Richards, HARD Events 08/29/13
Sam Righi, Waterfront Entertainment Group 05/30/03
Jon Rinaldo, Joker Productions 01/02/04
Geary Rindels, Geary Rindels Enterprises, Inc. 12/05/03
Doreen Ringer Ross, BMI 01/18/08
Lisette Rioux, Island Def Jam Music Group 05/16/03
Dave Roberge, Everfine Records & Everfine Artist Management 12/03/04
Sandy Roberton, Worlds End Producer Management 02/20/09
Ty Roberts, Gracenote 01/31/12
Bill Rogers, BRE Presents 07/13/07
Ian Rogers, Topspin Media 06/01/10
Benji Rogers, PledgeMusic 12/19/13
Dave Rose, Deep South Entertainment 09/15/06
Eric Rosen, Ronald S. Bienstock & Associates 05/25/01
Stuart Ross, The Ross Group 02/23/01
David Ross, President IAAM; Director, Show Me Center 09/23/05
Jack Ross, APA Canada 09/07/17
Bobby Rossi, Ruth Eckerd Hall 02/28/03
Michael Rothschild, Landslide Records 04/29/05
Robert Rowland, Red Entertainment 06/13/08
Bill Royston, Mt. Hood Jazz Festival 03/07/03
John Rudolph, Bug Music 05/24/10
Elizabeth Rush, E.R.A. / Elizabeth Rush Agency 08/20/04
Aran Rush, Expo and Foro Imperial 02/16/07
Maurice Russell, Harry Fox Agency 10/21/05
Barron Ruth, Skyline Music 02/14/03
Andrea Sabata, Skyline Music 01/07/05
Numa Saisselin, Count Basie Theatre, Inc. 02/04/05
Ron Sakamoto, Gold & Gold Productions 01/16/10
David Salidor, dis Company 07/20/07
Shaw Saltzberg, S. L. Feldman and Associates 06/21/10
Bruce Allen & Sam Feldman, A&F Music 12/19/08
Mark Samuels, Basin Street Records 06/11/04
Jacqueline Saturn, Harvest Records 01/21/15
Tamara Saviano, American Roots Publishing 07/22/05
Tamara Saviano, Author, journalist, and producer 08/18/16
Michael Scafuto, Mountain High Entertainment 12/07/01
Steve Schankman, Contemporary Productions 12/21/01
Steve Scharf, Carlin America 10/11/02
John Scher, Metropolitan Talent 11/21/08
Al Schmitt, Producer/Engineer 02/13/10
Bobby Schneider, Tour Coordinator, Third Eye Blind 01/31/03
Jake Schneider, Madison House 04/02/14
Steven Schnur, EA Music Group 07/03/13
Elaine Schock, Shock Ink 02/19/10
Stacy Schott, Mad Booking and Events 08/22/03
Daylle Schwartz, Revenge Productions 08/19/05
Dean Sciarra, 11/26/04
Joel Selvin, Author and Journalist 08/07/14
Jay Sendyk, Sendyk, Leonard & Company, Inc. 05/03/02
Jonathan Shank, Red Light Management 12/13/17
Peter Shapiro, Ideal Entertainment 04/16/04
Peter Shapiro, Dayglo Ventures/Brooklyn Bowl 11/15/17
Seth Sheck, Access Pass & Design 01/03/03
Seth Sheck, ACCESS Event Solutions 06/22/16
Seth Shomes, The Agency Group 11/12/14
Jay Sieleman, The Blues Foundation 07/18/03
Anya Siglin, The Ark 03/05/10
Bill Silva, Bill Silva Entertainment 10/19/10
Tom Silverman, Tommy Boy Entertainment 03/06/12
Steve Simon, Clear Channel Communications 05/14/04
Ralph Simon, Live Earth 07/06/07
Ralph Simon, Mobilium 04/12/11
Michael Simon, The Harry Fox Agency 08/14/13
Ron Simpson, RCS Productions 01/11/08
John Simson, SoundExchange 07/15/05
Dion Singer, Warner Bros. 12/07/09
Gram Slaton, The Community Arts Center 02/25/05
Owen Sloane, Gladstone Michel Weisberg Willner & Sloane 10/11/10
Peter Smidt, Eurosonic Noorderslag & manager Buma Cultuur 07/17/13
Garrison Snell, Gyrosity Projects 02/23/17
Mike Snider, Paradigm Talent Agency Nashville 05/17/11
Andrew Snowhite, Musictoday 05/04/01
Bruce Solar, The Agency Group 05/14/14
Nikki Solgot, Circle Talent Agency 02/18/15
Michael Solomon, Brick Wall Management 05/25/07
Mark Sonder, Mark Sonder Productions 07/25/08
Steve Sonnier, UIC Pavilion at the University of Illinois, Chicago 09/03/04
Kathy Spanberger, peermusic 06/20/12
Carolyn Specht, CIE USA Entertainment Inc. and OCESA PRESENTS Inc. 03/26/04
David Spelman, New York Guitar Festival 10/01/04
Jason Spiewak, Rock Ridge Music 04/07/06
Dan Steinberg, Square Peg Concerts 11/29/12
Dan Steinberg, Square Peg Concerts 02/18/05
Jeremy Stephan, Ventures, LLC 04/23/04
Walter Stewart, Mars Talent Agency 02/21/03
Gail Stocker, Gail Stocker Presents 11/12/04
Jon Stoll, Fantasma Productions 10/13/00
Jesse Stoll, AEG 06/27/09
Henry Stone, Henry Stone Music 06/24/05
Jason Stone, Live Nation New York 03/31/06
Howard Stovall, Resource Entertainment Group 05/28/04
Cameron Strang, New West Records 10/18/02
Don Strasburg, AEG Live Rocky Mountains 02/27/09
Barbara Strauss, Sovereign Ventures 05/12/06
Richard Stumpf, Cherry Lane Publishing 08/07/06
Deb Suckling, SUGARRUSH Music 07/27/17
Patrick Sullivan, RightsFlow 10/25/11
Bernie Swain & Harry Rhodes, Jr., Washington Speakers Bureau 12/07/00
Dean Swett, Paramour Group 06/14/02
Jake Szufnarowski, Rocks Off 05/02/08
Marc Tanner, Chime Entertainment 12/22/06
Donald Tarlton, The Donald K Donald Group 04/12/02
Tess Taylor, Los Angeles Music Network 08/09/02
Race Taylor, WPLJ - New York 10/27/06
Race Taylor, WPLJ - New York 10/27/06
Chris Taylor, Taylor 03/15/09
Peter Tempkins, DeWitt Stern Group 03/16/01
Peter Tempkins, Momentous Insurance Brokerage 03/27/09
Lisa Tenner, Tenner & Associates (EAT'M) 08/06/01
Jeremy Tepper, Diesel Only Records 10/10/03
Allan Tepper, Bicycle Music Company 09/28/07
Martin Terefe, Kensaltown Studios 05/31/11
Milun Tesovic, MetroLeap Media 10/18/09
Mandar Thakur, Times Music 08/06/15
Jerry Thompson, Promoter Line Inc. 03/05/04
Jose Tillan, MTV Networks Latin America 12/02/05
Jon Tiven, Hormone Studios 08/05/05
Adam Tobey, Concert Ideas 08/24/17
Rob Tonkin, Marketing Factory 12/17/15
John "J.T." Toomey, 25/8 Management 11/15/11
Livia Tortella, Warner Bros. Records 01/10/12
Phil Tripp, IMMEDIA! 01/19/06
Claudio Trotta, Barley Arts Promotion 11/26/01
Chris Tsakalakis, StubHub 01/11/10
Ben Turner, Graphite Media 05/10/10
Steve Vai, Favored Nations Entertainment 04/26/02
John Valentino, Fantasma Productions 04/18/03
John Valentino, AEG Live SE 11/01/10
Don Van Cleave, Coalition of Independent Music Stores 04/09/04
Casey Verbeck, Partners in Music 06/06/03
David "Boche" Viecelli, The Billions Corporation 04/18/10
Marsha Vlasic, Artist Group International 05/31/17
Mat Vlasic, Bravado 06/28/17
Ray Waddell, Billboard Magazine 08/27/04
Rob Waggener, Foundations Recovery Network 03/07/11
Jim Walczak, Racine Civic Centre 06/03/05
Jeff Walker, The AristoMedia Group 08/16/10
Carla Wallace, Big Yellow Dog Music 11/04/05
Russell Wallach, Live Nation Network 03/20/12
Steve Walter, The Cutting Room 10/24/08
Neil Warnock, The Agency Group 05/02/09
Diane Warren, Realsongs 08/14/09
Butch Waugh, RCA Label Group Nashville 01/10/03
Lauren Wayne, The State Theatre 05/09/12
Kirt Webster, Webster PR 02/03/16
Ken Weinstein, Big Hassle Media 04/22/05
Bruce Weinstein, Bethel Woods Center for the Arts 02/15/08
Larry Weintraub, Fanscape 05/18/01
Pam Weiser, Momentous Insurance Brokerage 10/11/11
Kevin Welk, Welk Music Group 01/24/12
D-J Wendt, Dmand Management 05/09/08
Alison Wenham, Worldwide Independent Network 02/13/09
Bill Werde, Billboard 08/03/11
Joel Whitburn, Record Research 11/13/09
Judd White, Tour Manager/Accountant 02/13/04
Jeff White, In Ticketing 12/16/06
Adam White, Author 09/14/16
Lisa White, Pearl Street Warehouse 10/04/17
Adam Wilkes, AEG Live Asia 10/13/16
Fenton Williams, 04/04/08
Del Williams, Right Arm Entertainment 04/18/08
Bryan "Birdman" Williams, Cash Money Records 09/13/11
Paul Williams, ASCAP 10/19/11
J.P. Williams, Parallel Entertainment 10/03/12
Kurt Willms, Green Room Productions 09/20/03
Chris Wilson, Heartbeat Records 03/02/07
Tony Wilson, Factory Records/In The City 06/01/07
Tom Windish, The Windish Agency 07/26/10
John Wiseman, XL Touring Video 05/05/06
Thom Wolke, 02/08/02
Michael Wood, City Lights Entertainment 08/08/08
Keith Wortman, Blackbird Presents 03/22/17
Nigel Wright, Independant Record Producer 11/07/03
Dusty Wright, 07/27/07
Jeremiah “Ice” Younossi, A-List Talent 09/20/09
Gail Zappa, The Zappa Family Trust 10/02/14
Kevin 'Chief' Zaruk, Chief Music Management 06/10/15
Ron Zeelens, RAZco Visas 04/20/01
Rick Zeiler, Sidney Frank Importing Company 06/04/04
Danny Zelisko, Live Nation 06/19/09
Jason Zink, Emporium Presents 10/19/17
Hillary Zuckerberg, Brick Wall Management. 07/09/04
Steve Zuckerman, Global Entertainment and Media Summit 03/22/02
Paul Zullo, Muze 01/23/04
Nanette Zumwalt, Hired Power 02/03/06


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